Infinite Jest (101 page)

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Authors: David Foster Wallace

 

EARLY NOVEMBER YEAR OF THE DEPEND ADULT UNDERGARMENT

 

The only bona fide blackmailable thing about Rodney Tine, Chief, U.S. Office of Unspecified Services: his special metric ruler. In a locked drawer of his bathroom cabinets at home on Connecticut Ave. NW in the District is kept a special metric ruler, and Tine measures his penis every A.M., like clockwork; has since twelve; still does. Plus a special telescoping travelling model of the ruler he travels with, for on-the-road-A.M.-penis-measurement. President Gentle has no N.S.A.
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as such. Tine's in metro Boston because of the N.S. implications of what they'd first come to Unspecified Services about two summers past, both the head of D.E.A. and the Chair of the Academy of Digital Arts and Sciences, now both here standing on one foot and then the other and twidgelling the brims of their hats. This unwatchable underground Entertainment-cartridge that at first seemed to be just popping haphazardly up in random locales: a film with certain he's given to understand from briefings quote 'qualities' such that whoever saw it wanted nothing else ever in life but to see it again, and then again, and so on. It had popped up in Berkeley NCA, in the home of a film-scholar and his male companion, neither of whom had appeared for appointments for days; and now lost to meaningful human activity henceforward, by all appearances, were the scholar and companion, the two cops dispatched to the Berkeley home, the six cops dispatched after the two cops never followed up their Code-Five, the watch sergeant and partner dispatched after them — seventeen police, paramedics, and teleputer-technicians in all, until the lethality of whatever they'd caught sight of presented itself with enough clarity for somebody to think to go around back and kill the Berkeley home's power. The Entertainment had popped up in New Iberia LA. Tempe AZ had lost two-thirds of the attendees of an avant-garde film festival in Arizona State U.'s Entertainment Studies amphitheater before a level-headed custodian killed the building's whole grid. J. Gentle had been apprised about the thing only after it had popped up and taken out a diplomatically immune Near Eastern medical attache and a dozen incidentals here in Boston MA late last spring. These persons now all in wards. Docile and continent but blank, as if on some deep reptile-brain level pithed. Tine had toured a ward. The persons' lives’

meanings had collapsed to such a narrow focus that no other activity or connection could hold their attention. Possessed of roughly the mental/ spiritual energies of a moth, now, according to a diagnostician out of C.D.C. The Berkeley cartridge had vanished from an S.F.P.D. Evidence Room an electron-microscopy toss of which had revealed flannel fibers. The D.E.A. had lost four field researchers and a consultant before they'd bowed to the intractable problems involved in trying to have somebody view the confiscated Tempe cartridge and articulate the thing's lethal charms. The strongest possible language had been necessary to restrain a certain Famous Crooner from attempting a personal review of the thing's qualities. Neither C.D.C. nor the entertainment pros wanted any part of any controlled-viewing tests. Three members of the Academy of D.A.S. had received unlabelled copies in the mail, and the one who'd actually sat down to have a look now needed a receptacle under his chin at all times. Reports of the thing popping up yet again in metro Boston MA remain unsubstantiated. Tine's been dispatched here in part to coordinate substantiation. There's also the special pocket-Franklin-Planner-sized chart he charts the daily A.M. penis-measurement in, daily, though to the uninitiated the little leather notebook could look like almost anything statistical at all. By now several U.S.O. test-subjects, volunteers from the federal and military penal systems, have been lost in attempts to produce a description of the cartridge's contents. The Tempe and New Iberia cartridges are in custody, vaulted. A sociopathic and mentally retarded Lance Corporal at Leaven-worth, strapped down with electrode appliques and headset-recorder, was able to report that the thing apparently opens with an engaging and high-quality cinematic shot of a veiled woman going through a large building's revolving doors and catching a glimpse of someone else in the revolving doors, somebody the sight of whom makes her veil billow, before the subject's mental and spiritual energies abruptly declined to a point where even near-lethal voltages through the electrodes couldn't divert his attention from the Entertainment. Tine's staff had sifted through dozens of entries before deciding that the intelligence community's terse little name for the allegedly enslaving Entertainment would be 'the samizdat.' P.E.T.s on sacrificed subjects revealed unexceptional wave-activity, with not near enough alpha to indicate hypnosis or induced dopamine-surges. Attempts to trace the matrix of the samizdat without viewing it — from induction on postal codes, e-micros-copíes on the brown padded mailers, immolation and chromatography on the unlabelled cartridge-cases, extensive and maddening interviews of those civilians exposed — place the likely dissemination-point someplace along the U.S. north border, with routing hubs in metro Boston/New Bedford and/or somewhere in the desert Southwest. The U.S.'s Canadian Problem is U.S.O.U.S. Anti-Anti-O.N.A.N. Activities' Agency's
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special province. So to speak. The possibility of Canadian involvement in the lethally compelling Entertainment's dissemination is what has brought to metro Boston Rodney Tine, his retinue, and his ruler.

 

LATE P.M., MONDAY 9 NOVEMBER YEAR OF THE DEPEND ADULT UNDERGARMENT

 

For reasons that Pemulis couldn't for the life of him, Ortho Stice seemed to be in there in Dr. Dolores Rusk's office, interfacing with Dr. Rusk well after regular hours. Pemulis paused at the door on his way by.

'— nical assessment, after our work together on your fear of weights, would be that your presenting maladjustment, Ortho, like many males and athletes, is that you're suffering from counterphobia.’

'Fear of linoleum?' It was unmistakably the flat twang of The Darkness in there through the door's wood.

'On the level of objects and a projective infantile omnipotence where you experience magical thinking about your thoughts and the behavior of objects' relation to your narcissistic wishes, the counterphobia presents as the delusion of some special agency or control to compensate for some repressed wounded inner trauma having to do with absence of control.’

'Over linoleum?’

'My suggestion might be to forget linoleum and objects in general. In for instance an analytic model, the types of traumas counterphobic reactions cover are almost always pre-Oedipal, at which stage objects' cathexis is Oedipal and symbolic. For example small children's dolls and Action-Figurines.’

'I don't play with no goddamn Action-Figurines.’

'GI Joe typically being cathected as an image of the potent but antagonistic father, the "military" man, with "GI" representing at once the "General Issue" of a "weapon" the Oedipal child both covets and fears and a well-known medical acronym for the gastro-intestinal tract, with all the attendant anal anxieties that require repression in the Oedipal phase's desire to control the bowels in order to impress or quote "win" the mother, of whom the Barbie might be seen as the most obviously reductive and phallocentric reduction of the mother to an archetype of sexual function and availability, the Barbie as image of the Oedipal mother as image.’

'So you're saying I'm overestimating objects?’

'I'm saying there's a very young Ortho in there with some very real abandonment-issues who needs some nurturing and championing from the older Ortho instead of indulging in fantasies of omnipotence.’

'I ain't omnipotent and I don't want to X no Goddamn Barbiedoll.' Then Dark's voice went way up and cracked as he said something about his bed.

Dr. Rusk's office door had a nonconducting rubberized sheath on the knob, and Dr. Rusk's name and degrees and title, and a needlepoint sampler with a little heart inside a big heart and a cursive exhortation to Champion An Inner Child Today, which the little kids at E.T.A. find puzzling and upsetting. Pemulis, pausing by habit first at the silent locked infirmary door and then Rusk's bottom-crack-lit door on his way across the Comm.-Ad. lobby, was wearing the most insolent ensemble he could throw together. He wore maroon paratrooper's pants with green stovepipe stripes down the sides. The pants' cuffs were tucked into fuchsia socks above ancient and radically uncool Clark's Wallabies with dirty soles of eraserish gum. He wore an orange fake-silk turtleneck under an English-cut sportcoat in a purple-and-tan windowpane check. He wore naval shoulder-braid at the level of ensign. He wore his yachting cap, but with the bill bent up at a bumpkinish angle. He looked less insolent than just extremely poorly dressed, really. Dr. Rusk's door was cool against his ear. Jim Troeltsch had been coming down B's hall just as Pemulis was leaving and said Pemulis looked like a hangover. Through the door, Rusk was urging Stice to name his anger and Stice was proposing to name his anger Horace after his old man's late pointer that had got into some coyote bait when The Darkness was nine and was much missed by the whole Stice brood, back in Kansas. The old Wallabies were from Pemulis's older brother's incomplete public-school career and had boogerish little greebles of dirty gum all around the soles' perimeter. The socks belonged to Jennie Bash and she made it explicit she wanted them back laundered. The sportcoat's checked arms were several cm. too short and exposed ribbed cuffs of shiny orange acetate esters.

The Community & Administration Bldg.'s downstairs was real quiet. It was like 2100h., supposedly mandatory Study Period, and Harde's crew had gone home but the custodial graveyard shift hadn't come on yet. Pemulis moved noiselessly NE-SW across the lobby's shag. Except for lines of lamplight from under a couple doors the E.T.A. lobby was pitch-black, and the outer Academy doors locked. There was an odd vehicular shape near the north wall's trophy case that Pemulis didn't pause to investigate. He lifted up slightly to keep the little SW hall's door from squeaking as he opened it and entered the administrative reception area, snapping his fingers softly to himself. A loose music played in his head. Tavis's reception area was empty and dim, the wallpaper's clouds now stormy-dark. It wasn't totally quiet. Light came from Mrs. Inc's doorway and from the crack under Tavis's inner door. Lateral Alice Moore had gone home. Pemulis activated her Third Rail and played with her chair as he made a very quick survey of the material on her desk. Activating the P.A. mike was out of all question. Two of her five drawers were still locked. Pemulis scanned behind him and popped another breath mint and sat quietly for a moment as Moore's chair slid back and forth along the rail, his fingers in a steeple under his nose, considering.

 

Light shone from the crack of Tavis's inner door because the outer door stood open. Pemulis didn't even have to put any kind of ear to the wood of the inside door. He could hear the hiss and high-speed grind of Ta vis's Stairßlaster, and Ta vis's breathless recessive voice. You could tell there was nobody else in there. You could tell Tavis had no shirt on and an E.T.A. towel around his neck and his hair a sweaty curtain down one side of his little head as he ran to keep up with what reminded everybody of a Satanishly-possessed Filene's escalator. He was exhorting himself in a kind of fast rhythmic chant that sounded to Pemulis like either Total worry total worry' or 'No don't worry no don't worry' and c. Pemulis could envision Tavis's round belly and little titties of fat bouncing with the action of the Stairßlaster. You could hear the sudden muffling when he probably brought the towel up to dab at his slanted mustache. Tavis's doorknob had no insulating rubber sheath, Pemulis noticed.

Pemulis's ensemble's belt was a plastic thing with chintzy fake-Navajo beading, purchased by little Chip Sweeny at one of last fall's Whataßurger's souvenir stands and subsequently transferred to Pemulis during a Big Buddy tennis-as-game-of-chance exercise. The beading-patterns were in Gila-monster orange and black, the orange a different shade than Pemulis's tur-tleneck.

He could never resist biting down once a mint'd melted to a certain size and texture.

The doorless Dean of Academic Affairs's office was a blazing rectangle of light. The light didn't spill very far into the reception area, however. At close-range, sounds issued from the office, but not exactly words. Pemulis checked his fly and snapped his fingers under his own nose and assumed a businesslike stride and rapped firmly on the doorless jamb without breaking stride. The heavier blue shag of the office itself slowed him down a bit. He stopped once he was all the way in. 18-A John Wayne and Hal's Mumsly-Wumsly were both in the front of the office. They were about maybe two meters apart. The room was lit overhead and by four standing lamps. The seminar table and chairs cast a complicated shadow. Two homemade pompoms of shredded paper and what looked like the amputated handles of wooden tennis racquets were on the seminar table, which was otherwise bare. John Wayne wore a football helmet and light shoulderpads and a Russell athletic supporter and socks and shoes and nothing else. He was down in the classic three-point stance of U.S. football. Inc's incredibly tall and well-preserved mother Dr. Avril Incandenza wore a little green-and-white cheerleader's outfit and had one of deLint's big brass whistles hanging around her neck. She was blowing on the whistle, which appeared to be minus the little inside pellet because no whistling sound resulted. She was about two meters from Wayne, facing him, doing near-splits on the heavy shag, one arm up and pretending to blow the whistle while Wayne produced the classic low-register growling sounds of U.S. football. Pemulis made rather a show of pushing the bumpkin-billed yachting hat back to scratch his head, blinking. Mrs. Inc was the only one looking at him.

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