Les Miserables (abridged) (Barnes & Noble Classics Series) (50 page)

There, as he did not lack for money, he could procure clothes. A little public-house in the environs of Balaguier was then the place which supplied clothing for escaped convicts, a lucrative business. Then Jean Valjean, like all those joyless fugitives who are endeavouring to throw off the track the spy of the law and social fatality, followed an obscure and wandering path. He found an asylum first in Pradeaux, near Beausset. Then he went towards Grand Villard near Briançon, in the Hautes Alpes. Groping and restless flight, threading the mazes of the mole whose windings are unknown. There were afterwards found some trace of his passage in Ain, on the territory of Civrieux, in the Pyrenees at Accons, at a place called the Grange-de-Domecq, near the hamlet of Chavailles, and in the environs of Périgneux, at Brunies, a canton of Chapelle Gonaguet. He finally reached Paris. We have just seen him at Montfermeil.
His first care, on reaching Paris, had been to purchase a mourning dress for a little girl of seven years, then to procure lodgings. That done, he had gone to Montfermeil.
It will be remembered that, at the time of his former escape, or near that time, he had made a mysterious journey of which justice had had some glimpse.
Moreover, he was believed to be dead, and that thickened the obscurity which surrounded him. At Paris there fell into his hands a paper which chronicled the fact. He felt reassured, and almost as much at peace as if he really had been dead.
On the evening of the same day that Jean Valjean had rescued Cosette from the clutches of the Thénardiess, he entered Paris again. He entered the city at night-fall, with the child, by the barriere de Monceaux. There he took a cabriolet, which carried him as far as the esplanade of the Observatory. There he got out, paid the driver, took Cosette by the hand, and both in the darkness of the night, through the deserted streets in the vicinity of l‘Ourcine and la Glacière, walked towards the boulevard de l’Hôpital.
The day had been strange and full of emotion for Cosette; they had eaten behind hedges bread and cheese bought at isolated taverns; they had often changed carriages, and had travelled short distances on foot. She did not complain; but she was tired, and Jean Valjean perceived it by her pulling more heavily at his hand while walking. He took her in his arms; Cosette, without letting go of Catharine, laid her head on Jean Valjean’s shoulder, and went to sleep.
BOOK FOUR
THE OLD GORBEAU HOUSE
1
MASTER GORBEAU
FORTY YEARS AGO, the solitary stroller who ventured into the unknown regions of La Salpêtrière and went up along the Boulevard as far as the Barrière d‘Italie, reached certain points where it might be said that Paris disappeared. It was not deserted, for there were people passing; it was not the country, for there were houses and streets; it was not a city, the streets had ruts in them, like the highways, and grass grew along their borders; it was not a village, the houses were too tall. What was it then? It was an inhabited place where there was nobody, it was a deserted place where there was somebody; it was a boulevard of the great city, a street of Paris, wilder, at night, than a forest, and gloomier, by day, than a graveyard.
It was the old quarter of the Horse Market.
Our pedestrian, if he trusted himself beyond the four crumbling walls of this Horse Market, if willing to go even further than the Rue du Petit Banquier, leaving on his right a courtyard shut in by lofty walls, then a meadow studded with stacks of tanbark that looked like the gigantic beaver dams, then an enclosure half filled with lumber and piles of stumps, sawdust and shavings, from the top of which a huge dog was baying, then a long, low, ruined wall with a small dark-coloured and decrepit gate in it, covered with moss, which was full of flowers in spring-time, then, in the loneliest spot, a frightful broken-down structure on which could be read in large letters: POST NO BILLS; this bold promenader, we say, would reach the corner of the Rue des Vignes-Saint-Marcel, a latitude not much explored. There, near a manufactory and between two garden walls, could be seen at the time of which we speak an old ruined dwelling that, at first sight, seemed as small as a cottage, yet was, in reality, as vast as a cathedral. It stood with its gable end towards the highway, and hence its apparent diminutiveness. Nearly the whole house was hidden. Only the door and one window could be seen.
This old dwelling had but one story.
On examining it, the peculiarity that first struck the beholder was that the door could never have been anything but the door of a hovel, while the window, had it been cut in quarrystone instead of fieldstone, might have been the casement of a lordly residence.
The door was merely a collection of worm-eaten boards crudely tacked together with cross-pieces that looked like pieces of firewood clumsily split out. It opened directly on a steep staircase with high steps covered with mud, plaster, and dust, and of the same breadth as the door, and which seemed from the street to rise perpendicularly like a ladder, and disappear in the shadow between two walls. The top of the shapeless opening which this door closed upon was disguised by a thin plank, in the middle of which had been sawed a three-cornered orifice that served both for skylight and ventilator when the door was shut. On the inside of the door a brush dipped in ink had, in a couple of strokes of the hand, traced the number 52, and above the plank, the same brush had daubed the number 50, so that a new-comer would hesitate, asking: Where am I?
2
A NEST FOR OWL AND WREN
BEFORE THIS Gorbeau tenement Jean Valjean stopped. Like the birds of prey, he had chosen this lonely place to make his nest.
He fumbled in his waistcoat and took from it a sort of master key, opened the door, entered, then carefully closed it again and ascended the stairway, still carrying Cosette.
At the top of the stairway he drew from his pocket another key, with which he opened another door. The room which he entered and closed again immediately was a sort of garret, rather spacious, furnished only with a mattress spread on the floor, a table, and a few chairs. A stove containing a fire, the coals of which were visible, stood in one corner. The street lamp of the boulevards shed a dim light through this poor interior. At the further extremity there was a little room containing a cot. On this Jean Valjean laid the child without waking her.
He struck a light with a flint and steel and lit a candle, which, with his tinder-box, stood ready, beforehand, on the table; and, as he had done on the preceding evening, he began to gaze upon Cosette with a look of ecstasy, in which the expression of goodness and tenderness went almost to the verge of insanity. The little girl, with that tranquil confidence which belongs only to extreme strength or extreme weakness, had fallen asleep without knowing with whom she was, and continued to slumber without knowing where she was.
Jean Valjean bent down and kissed the child’s hand.
Nine months before, he had kissed the hand of the mother, who also had just fallen asleep.
The same mournful, pious, agonising feeling now filled his heart.
He knelt down by the bedside of Cosette.
It was broad daylight, and yet the child slept on. A pale ray from the December sun struggled through the garret window and traced upon the ceiling long streaks of light and shade. Suddenly a quarry waggon, heavily laden, trundled over the cobble-stones of the boulevard, and shook the old building like the rumbling of a tempest, jarring it from cellar to roof-tree.
“Yes, madame!” cried Cosette, starting up out of sleep, “here I am! here I am!”
And she threw herself from the bed, her eyelids still half closed with the weight of slumber, stretching out her hand towards the comer of the wall.
“Oh! what shall I do? Where is my broom?” said she.
By this time her eyes were fully open, and she saw the smiling face of Jean Valjean.
“Oh! yes—so it is!” said the child. “Good morning, monsieur.”
Children at once accept joy and happiness with quick familiarity, being themselves naturally all happiness and joy.
Cosette noticed Catharine at the foot of the bed, laid hold of her at once, and, playing the while, asked Jean Valjean a thousand questions.—Where was she? Was Paris a big place? Was Madame Thénardier really very far away? Wouldn’t she come back again, etc., etc. All at once she exclaimed, “How pretty it is here!”
It was a frightful hovel, but she felt free.
“Must I sweep?” she continued at length.
“Play!” replied Jean Valjean.
And thus the day passed by. Cosette, without troubling herself with trying to understand anything about it, was inexpressibly happy with her doll and her good friend.
3
TWO MISFORTUNES MINGLED MAKE HAPPINESS
THE DAWN of the next day found Jean Valjean again near the bed of Cosette. He waited there, motionless, to see her wake.
Something new was entering his soul.
Jean Valjean had never loved anything. For twenty-five years he had been alone in the world. He had never been a father, lover, husband, or friend. At the galleys, he was cross, sullen, abstinent, ignorant, and intractable. The old convict had a virginal heart. His sister and her children had left in his memory only a vague and distant impression, which had finally almost entirely vanished. He had made every exertion to find them again, and, not succeeding, had forgotten them. Human nature is thus constituted. The other tender emotions of his youth, if any such he had, were lost in an abyss.
When he saw Cosette, when he had taken her, carried her away, and rescued her, he felt his heart moved. All that he had of feeling and affection was aroused and vehemently attracted towards this child. He would approach the bed where she slept, and would tremble there with delight; he felt inward stirrings, like a mother, and knew not what they were; for it is something very incomprehensible and very sweet, this grand and strange emotion of a heart in its first love.
Poor old heart, so young!
But, as he was fifty-five and Cosette was but eight years old, all that he might have felt of love in his entire life melted into a sort of ineffable radiance.
3
This was the second white vision he had seen. The bishop had caused the dawn of virtue on his horizon; Cosette evoked the dawn of love.
The first few days rolled by amid this bewilderment.
For her part, Cosette, too, unconsciously underwent a change, poor little creature! She was so small when her mother left her, that she could not recollect her now. As all children do, like the young shoots of the vine that cling to everything, she had tried to love. She had not been able to succeed. Everybody had rejected her—the Thénardiers, their children, other children. She had loved the dog; it died, and after that no person and no thing would have aught to do with her. Mournful thing to tell, and one which we have already hinted, at the age of eight her heart was cold. This was not her fault; it was not the faculty of love that she lacked; alas! it was the possibility. And so, from the very first day, all that thought and felt in her began to love this kind old friend. She now felt sensations utterly unknown to her before—a sensation of budding and of growth.
Her kind friend no longer impressed as old and poor. In her eyes Jean Valjean was handsome, just as the garret had seemed pretty.
Such are the effects of the aurora-glow of childhood, youth, and joy. The newness of earth and of life has something to do with it. Nothing is so charming as the ruddy tints that happiness can shed around a garret room. We all, in the course of our lives, have had our rose-coloured attics.
Nature had placed a wide chasm—fifty years’ interval of age—between Jean Valjean and Cosette. This chasm fate filled up. Fate abruptly brought together, and wedded with its resistless power, these two shattered lives, dissimilar in years, but similar in sorrow. The one, indeed, was the complement of the other. The instinct of Cosette sought for a father, as the instinct of Jean Valjean sought for a child. To meet, was to find one another. In that mysterious moment, when their hands touched, they were welded together. When their two souls saw each other, they recognised that they were mutually needed, and they closely embraced.
Taking the words in their most comprehensive and most absolute sense, it might be said that, separated from everything by the walls of the tomb, Jean Valjean was the Widower, as Cosette was the Orphan. This position made Jean Valjean become, in a celestial sense, the father of Cosette.
And, in truth, the mysterious impression produced upon Cosette, in the depths of the woods at Chelles, by the hand of Jean Valjean grasping her own in the darkness, was not an illusion but a reality. The coming of this man and his participation in the destiny of this child had been the advent of God.
Moreover, Jean Valjean had chosen his hiding-place well. He was there in a state of security that seemed to be complete.
The apartment with the side chamber which he occupied with Cosette, was the one whose window looked out upon the boulevard. This window being the only one in the house, there was no neighbour’s prying eye to fear either from that side or opposite.
The lower floor of No. 50-52 was a sort of dilapidated shed; it served as a sort of stable for market gardeners, and had no communication with the upper floor. It was separated from it by the flooring, which had neither stairway nor trap-door, and was, as it were, the diaphragm of the old building. The upper floor contained, as we have said, several rooms and a few lofts, only one of which was occupied—by an old woman, who was maid of all work to Jean Valjean. All the rest was uninhabited.
It was this old woman, honoured with the title of landlady, but, in reality, entrusted with the functions of portress, who had rented him these lodgings on Christmas Day. He had passed himself off to her as a gentleman of means, ruined by the Spanish Bonds, who was going to live there with his grand-daughter. He had paid her for six months in advance, and engaged the old dame to furnish the chamber and the little bedroom, as we have described them. This old woman it was who had kindled the fire in the stove and made everything ready for them, on the evening of their arrival.

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