Les Miserables (abridged) (Barnes & Noble Classics Series) (71 page)

This first glance of a soul which does not yet know itself is like the dawn in the sky. It is the awakening of something radiant and unknown. Nothing can express the dangerous chasm of this unlooked-for gleam which suddenly suffuses adorable mysteries, and which is made up of all the innocence of the present, and of all the passion of the future. It is a kind of irresolute lovingness which is revealed by chance, and which is waiting. It is a snare which Innocence unconsciously spreads, and in which she catches hearts without intending to, and without knowing it. It is a maiden glancing like a woman.
It is rare that deep reverie is not born of this glance wherever it may fall. All that is pure, and all that is vestal, is concentrated in this celestial and mortal glance, which more than the most studied ogling of the coquette, has the magic power of suddenly forcing into bloom in the depths of a heart this flower of the shade full of perfumes and poisons, which is called love.
At night, on returning to his garret, Marius cast a look upon his dress, and for the first time perceived that he had the slovenliness, the indecency, and the unheard-of stupidity, to stroll in the Luxembourg Gardens with his “every-day” suit, a hat broken near the band, coarse teamsters’ boots, black trousers shiny at the knees, and a black coat threadbare at the elbows.
4
COMMENCEMENT OF A SERIOUS ILLNESS
THE NEXT DAY, at the usual hour, Marius took from his closet his new coat, his new trousers, his new hat, and his new boots; he dressed himself in this panoply complete, put on his gloves, prodigious prodigality, and went to the Luxembourg Gardens.
On the way, he met Courfeyrac, and pretended not to see him. Courfeyrac, on his return home, said to his friends:
“I have just met Marius’ new hat and coat, with Marius inside. Probably he was going to an examination. He looked stupid enough.”
On reaching the Luxembourg Gardens, Marius took a turn round the fountain and looked at the swans; then he remained for a long time in contemplation before a statue, the head of which was black with moss, and which was minus a hip. Near the fountain was a big-bellied bourgeois of forty, holding a little boy of five by the hand, to whom he was saying: “Beware of extremes, my son. Keep thyself equally distant from despotism and from anarchy.” Marius listened to this good bourgeois. Then he took another turn around the fountain. Finally, he went towards “his walk;” slowly, and as if with regret. One would have said that he was at once compelled to go and prevented from going. He was unconscious of all this, and thought he was doing as he did every day.
When he entered the walk he saw M. Leblanc and the young girl at the other end “on their bench.” He buttoned his coat, stretched it down that there might be no wrinkles, noticed with some complaisance the lustre of his trousers, and marched upon the bench. There was something of attack in this march, and certainly a desire of conquest. I say, then, he marched upon the bench, as I would say: Hannibal marched upon Rome.
Beyond this there was nothing which was not mechanical in all his movements, and he had in no wise interrupted the customary preoccupations of his mind and his labour. He was thinking at that moment that the
Manual du Baccalauréat
was a stupid book, and that it must have been compiled by rare old fools, to give an analysis, as of masterpieces of the human mind, of three tragedies of Racine and only one of Molière’s comedies. He had a sharp whistling sound in his ear. While approaching the bench, he was smoothing the wrinkles out of his coat, and his eyes were fixed on the young girl. It seemed to him as though she filled the whole extremity of the walk with a pale, bluish light.
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As he drew nearer, his step became slower and slower. At some distance from the bench, long before he had reached the end of the walk, he stopped, and he did not know himself how it happened, but he turned back. He did not even say to himself that he would not go to the end. It was doubtful if the young girl could see him so far off, and notice his fine appearance in his new suit. However, he held himself very straight, so that he might look well, in case anybody who was behind should happen to notice him.
He reached the opposite end and then returned, and this time he approached a little nearer to the bench. He even came to within about three trees of it, but there he felt an indescribable lack of power to go further, and he hesitated. He thought he had seen the young girl’s face bent towards him. Still he made a great and manly effort, conquered his hesitation, and continued his advance. In a few seconds, he was passing before the bench, erect and firm, blushing to his ears, without daring to cast a look to the right or the left, and with his hand in his coat like a statesman. At the moment he passed under the guns of the fortress, he felt a frightful palpitation of the heart. She wore, as on the previous day, her damask dress and her crape hat. He heard the sound of an ineffable voice, which might be “her voice.” She was talking quietly. She was very pretty. He felt it, though he made no effort to see her. “She could not, however,” thought he, “but have some esteem and consideration for me, if she knew that I was the real author of the dissertation on Marcos Obregon de la Ronda, which Monsieur François de Neufchâteau has put, as his own, at the beginning of his edition of
Gil Blas!

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He passed the bench, went to the end of the walk, which was quite near, then turned and passed again before the beautiful girl. This time he was very pale. Indeed, he was experiencing nothing that was not very disagreeable. He walked away from the bench and from the young girl, and although his back was turned, he imagined that she was looking at him, and that made him stumble.
He made no effort to approach the bench again, he stopped midway along the walk, and sat down there—a thing which he never did—casting many side glances, and thinking, in the most indistinct depths of his mind, that after all it must be difficult for persons whose white hat and black dress he admired, to be absolutely insensitive to his glossy trousers and his new coat.
At the end of a quarter of an hour, he rose, as if to recommence his walk towards this bench, which was encircled by a halo. He, however, stood silent and motionless. For the first time in fifteen months, he said to himself, that this gentleman, who sat there every day with his daughter, had undoubtedly noticed him, and probably thought his assiduity very strange. For the first time, also, he felt a certain irreverence in designating this unknown man, even in the silence of his thought, by the nickname of M. Leblanc.
He remained thus for some minutes with his head down tracing designs on the ground with a little stick which he had in his hand.
Then he turned abruptly away from the bench, away from Monsieur Leblanc and his daughter, and went home.
That day he forgot to go to dinner. At eight o‘clock in the evening he discovered it, and as it was too late to go down to the Rue Saint Jacques, “No matter,” said he, and he ate a piece of bread.
He did not retire until he had carefully brushed and folded his coat.
5
SUNDRY THUNDERBOLTS FALL UPON MA‘AM BOUGON
NEXT DAY, Ma‘am Bougon,—thus Courfeyrac designated the old portress-landlady of the Gorbeau tenement,—Ma’am Bougon—her name was in reality Madame Bougon, as we have stated, but this terrible fellow Courfeyrac respected nothing,—Ma‘am Bougon was stupefied with astonishment to see Monsieur Marius go out again with his new coat.
He went again to the Luxembourg Gardens, but did not get beyond his bench midway along the walk. He sat down there as on the day previous, gazing from a distance and seeing distinctly the white hat, the black dress, and especially the bluish light. He did not stir from the bench, and did not go home until the gates of the gardens were shut. He did not see Monsieur Leblanc and his daughter retire. He concluded from that that they left the garden by the gate on the Rue de l‘Ouest. Later, some weeks afterwards, when he thought of it, he could not remember where he had dined that night.
The next day, for the third time, Ma‘am Bougon was thunderstruck. Marius went out with his new suit. “Three days running!” she exclaimed.
She made an attempt to follow him, but Marius walked briskly and with immense strides; it was a hippopotamus undertaking to catch a chamois. In two minutes she lost sight of him, and came back out of breath three quarters choked by her asthma, and furious. “The silly fellow,” she muttered, “to put on his handsome clothes every day and make people run like that!”
Marius had gone to the Luxembourg Gardens.
The young girl was there with Monsieur Leblanc. Marius approached as near as he could, seeming to be reading a book, but he was still very far off, then he returned and sat down on his bench, where he spent four hours watching the artless little sparrows as they hopped along the walk; they seemed to him to be mocking him.
Thus a fortnight rolled away. Marius went to the Luxembourg Gardens, no longer to stroll, but to sit down, always in the same place, and without knowing why. Once there he did not stir. Every morning he put on his new suit, not to be conspicuous, and he began again the next morning.
She was indeed of a marvelous beauty. The only remark which could be made, that would resemble a criticism, is that the contradiction between her look, which was sad, and her smile, which was joyous, gave to her countenance something a little wild, which produced this effect, that at certain moments this sweet face became strange without ceasing to be charming.
6
TAKEN PRISONER
ON ONE OF the last days of the second week, Marius was as usual sitting on his bench, holding in his hand an open book of which he had not turned a page for two hours. Suddenly he trembled. A great event was commencing at the end of the walk. Monsieur Leblanc and his daughter had left their bench, the daughter had taken the arm of the father, and they were coming slowly towards the middle of the walk where Marius was. Marius closed his book, then he opened it, then he made an attempt to read. He trembled. The halo was coming straight towards him. “O dear!” thought he, “I shall not have time to take an attitude.” However, the man with the white hair and the young girl were advancing. It seemed to him that it would last a century, and that it was only a second. “What are they coming by here for?” he asked himself. “What! is she going to pass this place! Are her feet to press this ground in this walk, but a step from me?” He was overwhelmed, he would gladly have been very handsome, he would gladly have worn the cross of the Legion of Honour. He heard the gentle and measured sound of their steps approaching. He imagined that Monsieur Leblanc was hurling angry looks upon him. “Is he going to speak to me?” thought he. He bowed his head; when he raised it they were quite near him. The young girl passed, and in passing she looked at him. She looked at him steadily, with a sweet and thoughtful look which made Marius tremble from head to foot. It seemed to him that she reproached him for having been so long without coming to her, and that she said: “It is I who come.” Marius was bewildered by these eyes full of flashing light and fathomless abysses.
He felt as though his brain were on fire. She had come to him, what happiness! And then, how she had looked at him! She seemed more beautiful than she had ever seemed before. Beautiful with a beauty which combined all of the woman with all of the angel, a beauty which would have made Petrarch sing and Dante kneel. He felt as though he was swimming in the deep blue sky. At the same time he was horribly disconcerted, because he had a little dust on his boots.
He felt sure that she had seen his boots in this condition.
He followed her with his eyes till she disappeared, then he began to walk in the Luxembourg Gardens like a madman. It is probable that at times he laughed, alone as he was, and spoke aloud. He was so strange and dreamy when near the children’s nurses that every one thought he was in love with her.
He went out of the gardens to find her again in some street.
He met Courfeyrac under the arches of the Odeon, and said: “Come and dine with me.” They went to Rousseau’s and spent six francs. Marius ate like an ogre. He gave six sous to the waiter. At dessert he said to Courfeyrac: “Have you read the paper? What a fine speech Audry de Puyraveau has made!”
He was desperately in love.
After dinner he said to Courfeyrac, “Come to the theatre with me.” They went to the Porte Saint Martin to see Frederick in
L‘Auberge des Adrets.
Marius was hugely amused.
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At the same time he became still more strange and incomprehensible. On leaving the theatre, he refused to look at the garter of a little milliner who was crossing a gutter, and when Courfeyrac said:
“I would not object to putting that woman in my collection,”
it almost horrified him.
Courfeyrac invited him to breakfast next morning at the Café Voltaire. Marius went and ate still more than the day before. He was very thoughtful, and yet very gay. One would have said that he seized upon all possible occasions to burst out laughing. To every country-fellow who was introduced to him he gave a tender embrace. A circle of students gathered round the table, and there was talk of the flummery paid for by the government, which was retailed at the Sorbonne; then the conversation fell upon the faults and gaps in the dictionaries and prosodies of Quicherat. Marius interrupted the discussion by exclaiming: “However, it is a very pleasant thing to have the Cross.”
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“He is a comical fellow!” said Courfeyrac, aside to Jean Prouvaire.
“No,” replied Jean Prouvaire, “he is serious.”
He was serious, indeed. Marius was in this first vehement and fascinating period which the grand passion commences.
One glance had done all that.
When the mine is loaded, and the match is ready, nothing is simpler. A glance is a spark.

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