Read Listening to Stanley Kubrick Online

Authors: Christine Lee Gengaro

Listening to Stanley Kubrick (47 page)

Full Metal Jacket Original Motion Picture Soundtrack
(1987, Warner Bros.)

  1. Full Metal Jacket, Abigail Mead and Nigel Goulding
  2. Hello Vietnam, Johnny Wright
  3. Chapel of Love, The Dixie Cups
  4. Wooly Bully, Sam the Sham and the Pharaohs
  5. I Like it Like That, Chris Kenner
  6. These Boots Are Made for Walking, Nancy Sinatra
  7. Surfin’ Bird, The Trashmen
  8. The Marine’s Hymn, The Goldman Band
  9. Transition, Abigail Mead
  10. Parris Island, Abigail Mead
  11. Ruins, Abigail Mead
  12. Leonard, Abigail Mead
  13. Attack, Abigail Mead
  14. Time Suspended, Abigail Mead
  15. Sniper, Abigail Mead

Chapter 3: Complete Track Lists from
2001: A Space Odyssey

2001: A Space Odyssey
Original Motion Picture Soundtrack
(1968, MGM)

Side 1

  1. Also Sprach Zarathustra, Richard Strauss, Berlin Philharmonic Orchestra, conducted by Karl Böhm
  2. Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra, Ligeti, Bavarian Radio Orchestra, conducted by Francis Travis
  3. Lux Aeterna, Ligeti, Stuttgart Schola Cantorum, conducted by Clytus Gottwald
  4. The Blue Danube, Berlin Philharmonic Orchestra, Herbert von Karajan

Side 2

  1. Gayane Ballet Suite (Adagio), Khachaturian, Leningrad Philharmonic Orchestra, conducted by Gennadi Rozhdestvensky
  2. Atmospheres, Ligeti, Sudwestfunk Orchestra, conducted by Ernest Bour
  3. The Blue Danube, Berlin Philharmonic Orchestra, Herbert von Karajan
  4. Also Sprach Zarathustra, Berlin Philharmonic Orchestra, conducted by Karl Böhm

Music Inspired by MGM’s Presentation of the Stanley Kubrick Production 2001: A Space Odyssey
(1970, MGM)

Side 1

  1. Also Sprach Zarathustra, Richard Strauss, Berlin Philharmonic Orchestra, conducted by Karl Böhm
  2. Coppelia, Leo Delibes, Berlin Philharmonic Orchestra, Herbert von Karajan
  3. Lontano, György Ligeti, Sudwestfunk Orchestra, conducted by Ernest Bour
  4. Entflieht Auf Leichten Kahnen, Anton Webern, Clytus Gottwald and the Stuttgart Schola Cantorum
  5. Waltzes from Der Rosenkavalier, Richard Strauss, Berlin Philharmonic Orchestra, conducted by Karl Böhm

Side 2

  1. Also Sprach Zarathustra Part 2, Richard Strauss, Berlin Philharmonic Orchestra, conducted by Karl Böhm
  2. Volumina, Ligeti, Karl-Erik Welin, Organ
  3. “Berceuse” from Gayane Suite, Khachaturian, Leningrad Philharmonic Orchestra, conducted by Gennadi Rozhdestvensky
  4. Requiem [another part], Ligeti, Hessian Symphony Orchestra, conducted by Michael Gielen
  5. Margarethe, Charles Gounod, Radio-Symphony Orchestra of Berlin, conducted by Ferenc Fricsay

2001: A Space Odyssey Original Motion Picture Soundtrack
(1996 Digital Remaster, Word Entertainment)

  1. Overture: Atmospheres, Ligeti, Sudwestfunk Orchestra, conducted by Ernest Bour
  2. Main Title: Also Sprach Zarathustra, Richard Strauss, Vienna Philharmonic Orchestra, conducted by Herbert von Karajan
  3. Requiem for Soprano, Mezzo Soprano, Two Mixed Choirs and Orchestra, Ligeti, Bavarian Radio Orchestra, conducted by Francis Travis
  4. The Blue Danube, Johann Strauss, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
  5. Lux Aeterna, Ligeti, Clytus Gottwald and the Stuttgart Schola Cantorum
  6. Gayane Ballet Suite (Adagio), Leningrad Philharmonic Orchestra, conducted by Gennadi Rozhdestvensky
  7. Jupiter and Beyond, all pieces by Ligeti: (a) Requiem for Soprano, Mezzo Soprano, Two Mixed Choirs and Orchestra, Bavarian Radio Orchestra, conducted by Francis Travis; (b) Atmospheres, Sudwestfunk Orchestra, conducted by Ernest Bour; (c) Adventures (altered for film), Internationale Musikinstitut Darmstadt, conducted by Ligeti
  8. Also Sprach Zarathustra, Vienna Philharmonic Orchestra, conducted by Herbert von Karajan
  9. The Blue Danube (Reprise), Berlin Philharmonic Orchestra, conducted by Herbert von Karajan

Supplemental Material

  1. Also Sprach Zarathustra, Richard Strauss, Sudwestfunk Orchestra, conducted by Ernest Bour
  2. Lux Aeterna, Clytus Gottwald and the Stuttgart Schola Cantorum
  3. Adventures (unaltered), Internationale Musikinstitut Darmstadt, conducted by Ligeti
  4. HAL 9000, featuring Douglas Rain

2001: A Space Odyssey—The Original Score
[by Alex North] (1993, Intrada)

  1. Main Title
  2. The Foraging
  3. Eat Meat and the Kill
  4. The Bluff
  5. Night Terrors
  6. The Dawn of Man
  7. Space Station Docking
  8. Trip to the Moon
  9. Moon Rocket Bus
  10. Space Talk
  11. Interior Orion
  12. Main Theme

Music for 2001: A Space Odyssey: The Original Score
(2007, Intrada Special Collection)

  1. The Foraging
  2. The Bluff
  3. Night Terrors
  4. Bones
  5. Eat Meat and Kill
  6. Space Station Docking
  7. Space Talk
  8. Trip to Moon
  9. Moon Rocket Bus
  10. The Foraging (alternate version AKA Dawn of Man)
  11. Bonus Tracks
  12. Eat Meat and Kill (Take 7—Wild)
  13. Space Station (Take 4—Docking)
  14. Docking (Take 2)

Chapter 4: Complete Track Lists from
A Clockwork Orange

Stanley Kubrick’s A Clockwork Orange
(1972, Warner Bros.)

Side A

  1. Title Music from A Clockwork Orange (from Henry Purcell’s Music for the Funeral of Queen Mary), Composer: [Wendy] Carlos and Rachel Elkind, Tempi Music BMI, Performed by [Wendy] Carlos 2:21
  2. The Thieving Magpie (Abridged), Composer: Gioacchino Rossini, Performance: A Deutsche Grammophon recording 5:57
  3. Theme from A Clockwork Orange (Beethoviana), Composer: [Wendy] Carlos and Rachel Elkind, Tempi Music BMI, Performed by [Wendy] Carlos 1:44
  4. Ninth Symphony, Second Movement—Abridged, Composer: Ludwig van Beethoven, Performance: A Deutsche Grammophon Recording 3:48
  5. March from A Clockwork Orange (Ninth Symphony, Fourth Movement—Abridged), Composer: Ludwig van Beethoven, Arr. [Wendy] Carlos, Tempi Music BMI, Performed by [Wendy] Carlos, Articulations by Rachel Elkind 7:00
  6. William Tell Overture—Abridged, Composer: Gioacchino Rossini, Performed by [Wendy] Carlos 1:17

Side B

  1. Pomp and Circumstance March No. I, Composer: Sir Edward Elgar 4:28
  2. Pomp and Circumstance March No. IV—Abridged, Composer: Sir Edward Elgar 1:33
  3. Timesteps (Excerpt), Composer: [Wendy] Carlos, Tempi Music BMI, Performed by [Wendy] Carlos 4:13
  4. Overture to the Sun, Composer: Terry Tucker, Mills Music ASCAP 1:40
  5. I Want to Marry a Lighthouse Keeper, Composer: Erika Eigen, Mills Music ASCAP, Performed by Erika Eigen [no timing]
  6. William Tell Overture—Abridged, Composer: Gioacchino Rossini, Performance: A Deutsche Grammophon Recording 2:58
  7. Suicide Scherzo (Ninth Symphony, Second Movement—Abridged), Composer: Ludwig van Beethoven, Arr. [Wendy] Carlos, Tempi Music BMI, Performed by [Wendy] Carlos 3:07
  8. Ninth Symphony, Fourth Movement—Abridged, Composer: Ludwig van Beethoven, Performance: A Deutsche Grammophon Recording 1:34
  9. Singin’ in the Rain, Composed by: Arthur Freed, Nacio Herb Brown, Robbins Music ASCAP, Performed by Gene Kelly, an MGM Recording 2:36

[Wendy] Carlos’ A Clockwork Orange
(1972, RCA Victor)

Side 1

  1. Timesteps, [Wendy] Carlos (BMI, 13:50)
  2. March from A Clockwork Orange (BMI, 7:00) (Beethoven: Ninth Symphony: Fourth Movement, Abridged), Articulations by Rachel Elkind, Arr. [Wendy] Carlos

Side 2

  1. Title Music from A Clockwork Orange (BMI, 2:21) (from Purcell’s “Music for the Funeral of Queen Mary”), [Wendy] Carlos and Rachel Elkind
  2. La Gazza Ladra (P.D. 5:50) (The Thieving Magpie, Abridged), Gioacchino Rossini
  3. Theme from A Clockwork Orange (BMI, 1:44) (Beethoviana), [Wendy] Carlos and Rachel Elkind
  4. Ninth Symphony: Second Movement (P.D., 4:52), Ludwig van Beethoven
  5. William Tell Overture, Abridged (P.D., 1:17), Gioacchino Rossini
  6. Country Lane (BMI, 4:43), [Wendy] Carlos and Rachel Elkind

A recent re-issue includes the following tracks that were written for the film but unused. They were omitted from the LP because of time constraints:

Orange Minuet, written and performed by Wendy Carlos

Country Lane, written and performed by Wendy Carlos

Chapter 5: Complete Track Lists from
Barry Lyndon

Barry Lyndon: Original Soundtrack Album
(1975, Warner Bros.)

Side A

  1. Sarabande—Main Title, Handel, National Philharmonic Orchestra, Leonard Rosenman, arr. and cond.
  2. Women of Ireland, Sean Ó Riada; Chieftans
  3. Piper’s Maggot Jig, Traditional; Waterford Glass Band
  4. The Sea-Maiden, Traditional; Chieftans
  5. Tin Whistles, Sean Ó Riada; Paddy Moloney and Sean Potts
  6. British Grenadiers, Traditional; Fifes and Drums, Rosenman, arr. and cond.
  7. Hohenfriedberger March, Frederick the Great [attrib.]; Leonard Rosenman, cond.
  8. Lilliburlero, Traditional; Fifes and Drums, Rosenman, arr. and cond.
  9. Women of Ireland, Sean Ó Riada; Derek Bell, harp
  10. March from
    Idomeneo
    , Mozart; EMI Records
  11. Sarabande—Duel, Handel; National Philharmonic Orchestra, Rosenman, arr. and cond.

Side B

  1. Lilliburlero, Traditional; Leslie Pearson, arr. and cond.
  2. German Dance No. 1 in C Major, Schubert; National Philharmonic Orchestra, Rosenman, arr. and cond
  3. Sarabande—Duel, Handel; National Philharmonic Orchestra, Rosenman, arr. and cond
  4. Film Adaptation of the Cavatina from
    Il Barbiere di Siviglia
    , Paisiello; National Philharmonic Orchestra, Rosenman, arr. and cond
  5. Cello concerto in E-minor (third movement), Vivaldi; Pierre Fournier, Cello, Festival Strings, Lucerne, Ralph Baumgartner, cond. Deutsche Grammophon
  6. Adagio from Concerto for 2 Harpsichords and Orchestra in C minor, J. S. Bach; Karl Richter and Hedwig Bilgram, harpsichords, and the Munich Bach-Orchestra, Deutsche Grammophon
  7. Film adaptation of Piano Trio in E-flat op. 100 (second movement), Schubert; Ralph Holmes, Violin; Moray Welsh, Cello; Anthony Goldstone, Piano; Rosenman, arr.
  8. Sarabande—End-Title, Handel; National Philharmonic Orchestra, Rosenman, arr. and cond.

Chapter 6: Complete Track Lists from
The Shining

The Shining
Original Soundtrack
(1980, Warner Bros.)

  1. The Shining (Main Title) (3:27), Wendy Carlos and Rachel Elkind
  2. Rocky Mountains (3:01), Wendy Carlos and Rachel Elkind
  3. Lontano (10:11), Gyorgy Ligeti, Sinfonie-Orchestra des Sudwestfunks, Conducted by Ernest Bour
  4. Music for Strings Percussion and Celesta (8:07), Bela Bartok, Berlin Philharmonic Orchestra, Conducted by Herbert von Karajan
  5. Utrenja (Excerpt) (3:33), Krzysztof Penderecki, Symphony Orchestra of the National Philharmonic, Warsaw, Conducted by Andrzej Markowski
  6. The Awakening of Jakob (7:55), Krzysztof Penderecki, Polish Radio National Symphony Orchestra, Conducted by Krzysztof Penderecki
  7. De Natura Sonoris, No. 2 (8:56), Krzysztof Penderecki, Polish Radio National Symphony Orchestra, Conducted by Krzysztof Penderecki
  8. Home (3:09), Henry Hall and the Gleneagles Hotel Band

Scoring Options for
The Shining
by Wendy Carlos and Rachel Elkind

Archived at the University of the Arts London

The Shining:
—Album, Music by W. Carlos and R. Elkind

Side A

  1. Title Music
  2. High-Low
  3. Danny Bells
  4. Heartbeat Passage #1
  5. Heartbeat Passage #2
  6. Danny

Side B

  1. Thought Clusters, Danny’s 1st Esp (VerA)
  2. Thought Clusters, Danny’s 1st Esp (VerB)
  3. Food Larder ESP
  4. Psychic Shout Up Into Room 237 & Out
  5. Psychic Shout & Room 237-While Seq.
  6. Danny At Dart Board
  7. Danny & Grady Twins
  8. Single Loud Scream-Efx

Disc 2:
The Shining,
music by Wendy Carlos and Rachel Elkind

Side A

  1. Thought Transfers
  2. Low And High
  3. Low And High-Rich
  4. Rich & High ESP
  5. DC-10 @ 8 AM

Side B

  1. The Shining—Title Music (New Mix)
  2. The Shining—Title Music (Version of 7)
  3. Winter Maze
  4. Dream Man
  5. Keepin’ Out of Mischief Now

Disc 3

  1. Soft and slow Metaphor on “Dies Irae”
  2. Vocal glissandi
  3. Vocal “Dzzrrhr”’s
  4. Whisperings
  5. Low groaning moans
  6. Small high shrieks
  7. Low breath and growl sounds
  8. Tapping of teeth or bone-rattlings
  9. Piano—solo perform

Side B

  1. Autoharp—solo perform
  2. Vocal part of opening music
  3. Glissing metal-rod on autoharp of opening music
  4. Heartbeat—in clear
  5. Slow upward portamento delay echo cluster
  6. Gentle bells—“snow-like”
  7. Winter’s Efx of bell sounds

Two Track #2 “Loops”

  1. “Rocky Mountains” swaying 4ths, 5ths, and Am9ths in Brassy tones—rich (med. long cue)
  2. “Low moanings” rich, a bit brassy and bassy—somber
  3. More menacing low moans, rich, episodic—much bass (fairly loud)
  4. Clustry, watery, soprano-like “ghosties”—ends in a high soft scream (short cue)
  5. Medium watery “ghosties”, slow build up in pitch, then “cluster” goes loud and nasty, more and more (good cue)
  6. “Ghosties”, solos, soprano and alto, sighs, siren-songs, music and very vocal-like, moves in waves (longish cue)
  7. Moaning “Ghosties”, alto and soprano, very high and end (med.)
  8. Richer solo moaning “Ghosties”, alto and tenor, soprano at end, moves up and in slow waves to scream
  9. Duet—“Ghosties”, vocal efx, small moans collect and move slowly up into cresc., slow gliss down as engine (longish, good cue)
  10. Am9th low chord slowly moves up after low pulsating start, up to very high chord (med. Cue) (good sound)

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