Suicide Hill (20 page)

Read Suicide Hill Online

Authors: James Ellroy

No dog; no sounds of approach. Lloyd picked up the briefcase and took the flashlight from it, then walked to the window and compared its circumference to his own bulk. Deciding it would be a tight but makable squeeze, he smashed in the glass with the end of the flashlight and tossed in the briefcase. Then he elbowed himself through the hole, his jacket again taking the brunt of the damage, his legs getting another brief tearing. Coming down hands first into the garage, the smell of gas and motor oil assaulted him.

Still no dog; still nothing to indicate he had been spotted. Lloyd got to his feet and picked up the flashlight and briefcase, then took his bearings. As his eyes got used to the darkness, he picked out the stairway leading up to Louie Calderon's private office.

Lloyd tiptoed over and up the stairs, then tried the door. It was unlocked. He deep-breathed and pushed it open, then flicked on the flashlight and shined it in the direction of the desk. The beam illuminated the red phone and clipboard dead-on.

He walked to the desk, memorizing the exact positions of the invoices and beer cans on top of it, then took a pen and notepad from his back pocket and sat down in Louie Calderon's chair. Holding the flashlight in his left hand, he pushed aside a half-finished Coors and put down the pad in its place. Centering the beam right on top of the clipboard, the office around it went totally dark, and he did his transcribing in a tunnel of eye-grating light.

12/11—
A.M.
—Ramon V.—Call 629-8811 (mom & bro.)
before
you talk to P.O.

12/11—
P.M.
—Duane—Rhonda talked to friends in P.S., Stan Klein returning Monday night
late
, remember to call Mon. nite—H.(654-8996)—W.(658-4371)—wants $.

12/11—
P.M.
—Danny C.—Call home.

12/11—
P.M.
—Julio M.—Call home.

12/11—
P.M.
—George V.—Call Louise, Call P.O. No violation.

Completing the copy-over, Lloyd put the pad back in his pocket and returned the beer can to its proper place, pleased that it was a bootleg service rather than a bookie drop. He turned his flashlight toward the floor and retraced his steps downstairs, grabbing a box of baby moon hubcaps on his way to the front door, hoping to put the onus on punks out for a quick score. Driving home, he got his usual post-burglary shakes, followed by his usual post-B&E knowledge:
crime was a thrill.

In his kitchen, Lloyd copied over the transcribed names and phone numbers for checking against Louie Calderon's K.A. file, then called up the three numbers he had gleaned.

The first one was a sad non-connection. Pretending to be a friend of “Ramon,” Lloyd asked his mother about his whereabouts, learning that he had been cut loose from Chino on Friday and hadn't as yet contacted his parole officer or family. The woman was terrified that he was back in Silverlake and on smack.

The two numbers for “Rhonda” were even sadder—both recorded messages that boomed “prostitution” loud and clear: “Hi, this is Rhonda. If you've called for my business and your pleasure, or the converse, leave a message. Bye!”

“This is Silver Foxes. Beautiful women of every persuasion for every occasion. Please leave your name, customer number and wishes at the tone.”

Lloyd put down the phone, then added the information to his K.A. check-out list. The singsong lilt of the last message stayed with him as he turned out the lights and flopped down on the couch. While he waited for the sleep that he knew had to come, he toyed with the words. An exhaustion gibberish crept over him. He knew what was behind it: the occasions of
his
persuasion were over. The finality of the thought helped, and unconsciousness was just about there when he grabbed at an escape hatch:
an apocalypse could save him.
The thought was too scary to toy with. Lloyd slammed the hatch shut with every ounce of his will and slept dreamlessly.

14

C
lockwork.

Rice looked at his watch as he nosed the '78 Malibu into the shade of a stand of trees by the freeway off-ramp. At 9:43 he'd glommed the car; at 9:56 he'd picked up the brothers, who were outfitted for bear and looking greedy. At 10:03 he stopped at a 7-11 on the edge of Hollywood for a last-minute acquisition—a brainstorm—and now, at 10:22, there was nothing left but to do it. He glanced at Bobby and Joe as he set the brake. Their suits fit, and their off-color facial hair made them look almost non-Mexican. Their briefcases were big and scuffed. It was all running perfect. “Now,” he said.

They walked the half block to the corner of Pico and Westholme and waited for the light. When it turned green, Rice took the lead, striding ahead of the brothers. In front of the bank, he peered through the window and framed the scene inside: six tellers stations on the left, roped-off waiting line with no one standing in it, the execs at their desks in the carpeted area on the right. No armed guards; no sign of Gordon Meyers; the surveillance camera sweeping on its tripod above the doors.
Perfection.

The brothers caught up, and Rice let them go through the doors first. When they were halfway to the teller area, he took a can of 7-11 shaving cream from his jacket pocket, shook it and fired a test spritz at the ground. When it hit the pavement, it hit
him
: when you look into his eyes, you'll know.

Rice pushed the doors open, wheeled and extended his right arm at the camera, missing his first spray, catching the lens on-center with the second. Coming off his toes, he saw that no one in the desk area had seen him, and that Joe and Bobby were dawdling by a cardboard display near the rear teller's station. He reached into his briefcase and pulled out his .45, then let the spray can drop to the floor. The man at the front desk looked up at the noise and saw the gun. Rice shouted, “Robbery! Everybody be real quiet or you're gonna be real dead!”

For a second, everything froze. Heads darted up behind the tellers' counter; the Garcias pulled out their .45s and moved into position, their briefcases held open. Then little gasps and flutters took over, and Rice saw everything go blackish red. Swallowing, he heard a scream from a woman staring at Joe Garcia's silencered piece; “Oh my Gods” were bombarding him from every corner of the bank. Swallowing what tasted like blood, he ran to Bobby, shoved his briefcase at him and said, “Three minutes. Fill it up.”

Bobby flashed his shark grin and leveled his gun at the teller directly in front of him, hissing, “Feed the shark, motherfucker, or you die.” The man fumbled packets of currency into the briefcase, and Bobby shoved Rice's briefcase over to the next station, growling, “You, too, bitch—you fucking too.” The woman dumped in whole cash and change drawers, and coins spilled over the counter onto the floor. When both tellers backed up and showed empty drawers, then ducked to their knees, Bobby slid down to the next station, catching a shot of Joe out of the corner of his eye. Little Bro had already hit three stations and was holding a shaky bead on the tellers. Tears and sweat were pouring off his face, soaking his phony beard. His face was as red as a baby's, and his lower lip was flapping so hard his whole head shook along with it. From somewhere in the bank Duane Rice was shouting, “Where's the fucking security boss!” sounding like a stone loony. Bobby maneuvered both briefcases and his piece too in front of the last teller, going wired when he saw it was a foxy young blonde.

“Where's the guard! Where's the fucking security man!”

Bobby heard Rice's shouts, then turned to scope out the blonde. She had her three drawers open and the money stacked on the counter. Bobby scooped it into the briefcase closest to him, tickling the girl's chin with his silencer as he clamped the case shut. “You like seafood, chiquita?” he said. “You like a nice juicy shark sausage? Go fine as wine with a nice blond furburger.”

Rice saw the whole bank shake in front of his eyes. His voice sounded like it wasn't his, and the people cowering at their desks looked like scary red animals. He turned around so he wouldn't see them, and saw Sharkshit Bobby talking trash to a young woman teller. He was wondering whether to stop it when Gordon Meyers walked out of a door next to the vault.

And he knew.

Rice raised his .45; Meyers saw him and turned to run. Rice squeezed off three shots. The back of Meyers' white shirt exploded into crimson just as he felt the three silencer kicks. The dinged-out ding jailer crashed into an American flag on a pole and fell with it to the floor. The bank became one gigantic blast of noise, and through all of it, Rice heard a woman's voice: “Scum! Scum! Scum!”

Bobby turned around at the blonde's final epithet, and saw a dead man on the floor and Duane Rice and his brother gesturing for him to
move.
He turned to give the girl a
Jaws
theme good-bye, and caught a wad of spittle square in the face. Wiping it off, he saw her huge open mouth and knew that whatever she said would be the truth. He jabbed his .45 at her teeth and fired twice. The shots blew off the back of her head. Bobby saw blood and brains spatter the wall behind her as she was lifted off her feet. Recoil spun him around, and then Joe was there, grabbing the two briefcases and shoving him toward the doors.

Outside, Rice was standing on the sidewalk with the third briefcase, jamming a fresh clip into his piece. When the brothers crashed through the doors all sweat, tears and head-to-toe tremors, he shoved the briefcase at Joe and managed to get out, “Go around the corner to the car,” from somewhere cool inside his own shakes. The Garcias
moved
, stumble-running, the three packages of money banging against their legs. Rice was about to follow when a siren came out of deep nowhere, and a black-and-white with cherry lights flashing zoomed down the sidewalk straight at him.

Rice made frantic flagging motions and fell to his knees as if wounded, holding the piece inside his right jacket pocket, knowing the silencer would cut down his range to close to nothing. When the patrol car decelerated and braked, he held his ground, knowing they had to have seen him; when it did a final fishtail, he counted to ten, got to his feet and pointed his .45 at the windshield.

The cops inside were less than four feet away and about to come out the doors with shotguns when he squeezed the trigger seven times, the gun at chest level. The windshield exploded, and Rice flung himself to the ground and rolled toward the passenger door, ejecting the spent clip, jamming in another. When both doors remained shut, he stood up, saw two blood-soaked blue uniforms and gasping faces and fired seven more times, all head shots. Blood and bone shrapnel sprayed his face, and in the distance he could hear other sirens screaming.

Suddenly he felt very calm and very much in control. He ran through the bank parking lot and down the alley that paralleled Graystone Drive, then vaulted a chain link fence, coming down into a cement backyard. The driveway led him out to the street, and there were Joe and Bobby, standing by the '81 Chevy Caprice. No neighbors; no nosy kids; no eyeball witnesses.

Rice walked across front lawns to the Chevy and unlocked the driver's-side door, then the passenger's. The brothers got in the back with the briefcases and huddled down without being told. Rice started the car and backed out, then drove slowly down Graystone to Westholme, then across Pico to the freeway. When they were headed north on the 405, the sudden screech of sirens became deafening. The fifty-foot freeway elevation gave him a perfect view of the bank and the street in front of it. It was bumper-to-bumper cop cars spilling shotgun-toting fuzz. Choppers were starting to fly in from the east. It looked like a war zone.

Rice drove cautiously in the middle lane; the challenge of holding down panic in an unfamiliar vehicle kept his mind off the past ten minutes. Moving out of the area, the cop noises subsided, except for occasional black-and-whites highballing it past in the opposite direction. Then when he hit Wilshire, it sounded like choppers and sirens were right there inside the car, and he remembered he wasn't alone.

The copter/siren noise was the combination of Joe Garcia sobbing and wheezing, and Bobby trying to talk. Rice thought of freeway roadblocks and pulled onto the Montana Avenue exit. He turned to look at the brothers, and saw that they were still on the floor, with their arms around each other, so he couldn't tell who was who. The sight was obscene, and the dried cop blood he felt on his face made it worse. Coming down onto a peaceful, noiseless street, he scrubbed his cheeks with his sleeve and said, “Act like fucking human beings and we'll walk from this.”

Bobby untangled himself from his brother and the collection of briefcases. Rice checked the rearview and saw him lean into the backseat, then help Joe up. When he saw their unglued beards, he ripped off his own and sized them up for survival balls. Joe was twitching and sitting on his hands to control his shaking; Sharkshit looked like he was two seconds from a giggling fit that would last until his lungs blew. Knowing they were punk partners at best, he said, “Take off your beards, and your jackets and shirts. We're going to ditch the car, then go to my motel and chill out. Bobby, you do your shark act and you are one dead greaser.”

Bobby winced. His voice was low, nothing like a giggle. “I had to, Duane. I knew what that bitch was gonna say, and only priests can say that to me.” He started mumbling in Latin, then grabbed one of the briefcases off the floor. His garbled rosaries were hitting fever pitch as he reached in and pulled out a packet of hundreds and yanked the tab.

Black ink exploded from the wad of bills, sharp jets that hit Bobby in the face and deflected off his chest to cover the back windows. A second series of sprays burst over Joe, and he threw himself on top of the briefcase and smothered the residual jets with his body. Rice pulled to the curb and screamed, “Take off your shirts and roll down the windows!” and Bobby wiped ink from his eyes and ripped off his beard and starting pawing with it at the window beside him.

Other books

The Crisis by David Poyer
Relatos africanos by Doris Lessing
Paradiso by Dante
Bound by Sally Gunning
Forge of Darkness by Steven Erikson
Heart of the City by Ariel Sabar
Reamde by Neal Stephenson
Miranda's Revenge by Ruth Wind