Read The Erckmann-Chatrian Megapack: 20 Classic Novels and Short Stories Online

Authors: Émile Erckmann,Alexandre Chatrian

Tags: #Fantasy, #War, #France, #Horror, #Historical, #Omnibus

The Erckmann-Chatrian Megapack: 20 Classic Novels and Short Stories (39 page)

“She’s an old fool!” I said to myself, in a sort of stupor. My faith, it was the height of folly in me to be interested in her!

However, I would like to see her grimace again; old Toubac would willingly give me fifteen florins if I could paint it for him.

I must confess that these pleasantries of mine did not entirely reassure me.

The hideous glance which the old shrew had given me pursued me everywhere. More than once, while climbing the almost perpendicular ladder to my loft, feeling my clothing caught on some point, I trembled from head to foot, imagining that the old wretch was hanging to the tails of my coat in order to destroy me.

Toubac, to whom I related this adventure, was far from laughing at it; indeed, he assumed a grave and solemn air.

“Master Christian,” said he, “if the old woman wants you, take care! Her teeth are small, pointed, and of marvelous whiteness, and that is not natural at her age. She has an ‘evil eye.’ Children flee from her, and the people of Nuremberg call her ‘Fledermausse.’”

I admired the clear, sagacious intellect of the Jew, and his words gave me cause for reflection.

Several weeks passed away, during which I often encountered Fledermausse without any alarming consequences. My fears were dissipated, and I thought of her no more.

But an evening came, during which, while sleeping very soundly, I was awakened by a strange harmony. It was a kind of vibration, so sweet, so melodious, that the whispering of the breeze among the leaves can give but a faint idea of its charm.

For a long time I listened intently, with my eyes wide open, and holding my breath, so as not to lose a note. At last I looked toward the window, and saw two wings fluttering against the glass. I thought, at first, that it was a bat, caught in my room; but, the moon rising at that instant, I saw the wings of a magnificent butterfly of the night delineated upon her shining disk. Their vibrations were often so rapid that they could not be distinguished; then they reposed, extended upon the glass, and their frail fibers were again brought to view.

This misty apparition, coming in the midst of the universal silence, opened my heart to all sweet emotions. It seemed to me that an airy sylph, touched with a sense of my solitude, had come to visit me, and this idea melted me almost to tears.

“Be tranquil, sweet captive, be tranquil,” said I; “your confidence shall not be abused. I will not keep you against your will. Return to heaven and to liberty.” I then opened my little window. The night was calm, and millions of stars were glittering in the sky. For a moment I contemplated this sublime spectacle, and words of prayer and praise came naturally to my lips; but, judge of my amazement, when, lowering my eyes, I saw a man hanging from the crossbeam of the sign of the Boeuf-Gras, the hair disheveled, the arms stiff, the legs elongated to a point, and casting their gigantic shadows down to the street!

The immobility of this figure under the moon’s rays was terrible. I felt my tongue freezing, my teeth clinched. I was about to cry out in terror when, by some incomprehensible mysterious attraction, my glance fell below, and I distinguished, confusedly, the old woman crouched at her window in the midst of dark shadows, and contemplating the dead man with an air of diabolic satisfaction.

Then I had a vertigo of terror. All my strength abandoned me, and, retreating to the wall of my loft, I sank down and became insensible.

I do not know how long this sleep of death continued. When restored to consciousness, I saw that it was broad day. The mists of the night had penetrated to my garret, and deposited their fresh dew upon my hair, and the confused murmurs of the street ascended to my little lodging. I looked without. The burgomaster and his secretary were stationed at the door of the inn, and remained there a long time; crowds of people came and went, and paused to look in; then recommenced their course. The good women of the neighborhood, who were sweeping before their doors, looked on from afar, and talked gravely with each other.

At last a litter, and upon this litter a body, covered with a linen cloth, issued from the inn, carried by two men. They descended to the street, and the children, on their way to school, ran behind them.

All the people drew back as they advanced.

The window opposite was still open; the end of a rope floated from the crossbeam.

I had not dreamed. I had, indeed, seen the butterfly of the night; I had seen the man hanging, and I had seen Fledermausse.

That day Toubac made me a visit, and, as his great nose appeared on a level with the floor, he exclaimed:

“Master Christian, have you nothing to sell?”

I did not hear him. I was seated upon my one chair, my hands clasped upon my knees, and my eyes fixed before me.

Toubac, surprised at my inattention, repeated in a louder voice:

“Master Christian, Master Christian!” Then, striding over the sill, he advanced and struck me on the shoulder.

“Well, well, what is the matter now?”

“Ah, is that you, Toubac?”

“Eh,
parbleu
! I rather think so; are you ill?”

“No, I am only thinking.”

“What in the devil are you thinking about?”

“Of the man who was hanged.”

“Oh, oh!” cried the curiosity vender. “You have seen him, then? The poor boy! What a singular history! The third in the same place.”

“How—the third?”

“Ah, yes! I ought to have warned you; but it is not too late. There will certainly be a fourth, who will follow the example of the others.
Il n’y à que le premier pas qui coûte
.”

Saying this, Toubac took a seat on the corner of my trunk, struck his match-box, lighted his pipe, and blew three or four powerful whiffs of smoke with a meditative air.

“My faith,” said he, “I am not fearful; but, if I had full permission to pass the night in that chamber, I should much prefer to sleep elsewhere.

“Listen, Master Christian. Nine or ten months ago a good man of Tübingen, wholesale dealer in furs, dismounted at the Inn Boeuf-Gras. He called for supper; he ate well; he drank well; and was finally conducted to that room in the third story—it is called the Green Room. Well, the next morning he was found hanging to the crossbeam of the signboard.

“Well, that might do
for once
; nothing could be said.

“Every proper investigation was made, and the stranger was buried at the bottom of the garden. But, look you, about six months afterwards a brave soldier from Neustadt arrived; he had received his final discharge, and was rejoicing in the thought of returning to his native village. During the whole evening, while emptying his wine cups, he spoke fondly of his little cousin who was waiting to marry him. At last this big monsieur was conducted to his room—the Green Room—and, the same night, the watchman, passing down the street Minnesänger, perceived something hanging to the crossbeam; he raised his lantern, and lo! it was the soldier, with his final discharge in a bow on his left hip, and his hands gathered up to the seam of his pantaloons, as if on parade.

“‘Truth to say, this is extraordinary!’ cried the burgomaster; ‘the devil’s to pay.’ Well, the chamber was much visited; the walls were replastered, and the dead man was sent to Neustadt.

“The registrar wrote this marginal note:

“‘Died of apoplexy.’

“All Nuremberg was enraged against the innkeeper. There were many, indeed, who wished to force him to take down his iron crossbeam, under the pretext that it inspired people with dangerous ideas; but you may well believe that old Michael Schmidt would not lend his ear to this proposition.

“‘This crossbeam,’ said he, ‘was placed here by my grandfather; it has borne the sign of Boeuf-Gras for one hundred and fifty years, from father to son; it harms no one, not even the hay wagons which pass beneath, for it is thirty feet above them. Those who don’t like it can turn their heads aside, and not see it.’

“Well, gradually the town calmed down, and, during several months, no new event agitated it. Unhappily, a student of Heidelberg, returning to the university, stopped, day before yesterday, at the Inn Boeuf-Gras, and asked for lodging. He was the son of a minister of the gospel.

“How could anyone suppose that the son of a pastor could conceive the idea of hanging himself on the crossbeam of a signboard, because a big monsieur and an old soldier had done so? We must admit, Master Christian, that the thing was not probable; these reasons would not have seemed sufficient to myself or to you.”

“Enough, enough!” I exclaimed; “this is too horrible! I see a frightful mystery involved in all this. It is not the crossbeam; it is not the room—”

“What! Do you suspect the innkeeper, the most honest man in the world, and belonging to one of the oldest families in Nuremberg?”

“No, no; may God preserve me from indulging in unjust suspicions! but there is an abyss before me, into which I scarcely dare glance.”

“You are right,” said Toubac, astonished at the violence of my excitement. “We will speak of other things. Apropos, Master Christian, where is our landscape of ‘Saint Odille’?”

This question brought me back to the world of realities. I showed the old man the painting I had just completed. The affair was soon concluded, and Toubac, well satisfied, descended the ladder, entreating me to think no more of the student of Heidelberg.

I would gladly have followed my good friend’s counsel; but, when the devil once mixes himself up in our concerns, it is not easy to disembarrass ourselves of him.

In my solitary hours all these events were reproduced with frightful distinctness in my mind.

“This old wretch,” I said to myself, “is the cause of it all; she alone has conceived these crimes, and has consummated them. But by what means? Has she had recourse to cunning alone, or has she obtained the intervention of invisible powers?” I walked to and fro in my retreat. An inward voice cried out: “It is not in vain that Providence permitted you to see Fledermausse contemplating the agonies of her victim. It is not in vain that the soul of the poor young man came in the form of a butterfly of the night to awake you. No, no; all this was not accidental, Christian. The heavens impose upon you a terrible mission. If you do not accomplish it, tremble lest you fall yourself into the hands of the old murderess! Perhaps, at this moment, she is preparing her snares in the darkness.”

During several days these hideous images followed me without intermission. I lost my sleep; it was impossible for me to do anything; my brush fell from my hand; and, horrible to confess, I found myself sometimes gazing at the crossbeam with a sort of complacency. At last I could endure it no longer, and one evening I descended the ladder and hid myself behind the door of Fledermausse, hoping to surprise her fatal secret.

From that time no day passed in which I was not
en route
, following the old wretch, watching, spying, never losing sight of her; but she was so cunning, had a scent so subtile that, without even turning her head, she knew I was behind her.

However, she feigned not to perceive this; she went to the market, to the butcher’s, like any good, simple woman, only hastening her steps and murmuring confused words.

At the close of the month I saw that it was impossible for me to attain my object in this way, and this conviction made me inexpressibly sad.

“What can I do?” I said to myself. “The old woman divines my plans; she is on her guard; every hope abandons me. Ah! old hag, you think you already see me at the end of your rope.” I was continually asking myself this question: “What can I do? what can I do?” At last a luminous idea struck me. My chamber overlooked the house of Fledermausse; but there was no window on this side. I adroitly raised a slate, and no pen could paint my joy when the whole ancient building was thus exposed to me. “At last, I have you!” I exclaimed; “you cannot escape me now; from here I can see all that passes—your goings, your comings, your arts and snares. You will not suspect this invisible eye—this watchful eye, which will surprise crime at the moment it blooms. Oh, Justice, Justice! She marches slowly; but she arrives.”

Nothing could be more sinister than the den now spread out before me—a great courtyard, the large slabs of which were covered with moss; in one corner, a well, whose stagnant waters you shuddered to look upon; a stairway covered with old shells; at the farther end a gallery, with wooden balustrade, and hanging upon it some old linen and the tick of an old straw mattress; on the first floor, to the left, the stone covering of a common sewer indicated the kitchen; to the right the lofty windows of the building looked out upon the street; then a few pots of dried, withered flowers—all was cracked, somber, moist. Only one or two hours during the day could the sun penetrate this loathsome spot; after that, the shadows took possession; then the sunshine fell upon the crazy walls, the worm-eaten balcony, the dull and tarnished glass, and upon the whirlwind of atoms floating in its golden rays, disturbed by no breath of air.

I had scarcely finished these observations and reflections, when the old woman entered, having just returned from market. I heard the grating of her heavy door. Then she appeared with her basket. She seemed fatigued—almost out of breath. The lace of her bonnet fell to her nose. With one hand she grasped the banister and ascended the stairs.

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