Authors: Donna Tartt
What’s wrong? Mrs. Fountain said.
You haven’t seen Robin, have you?
No. I’ve been upstairs cleaning out this attic all afternoon. I know I look like a great big mess. See all this trash I hauled out? I know the garbage man doesn’t come until Tuesday and I hate to just leave it out on the street like this but I don’t know what else to do. Where’d Robin run off to? Can’t you find him?
I’m sure he didn’t go far, said Charlotte, stepping out on the sidewalk to peer down the street. But it’s suppertime.
It’s fixin to thunder, said Ida Rhew, gazing up at the sky.
You don’t reckon he fell in the fishpond, do you? Mrs. Fountain said anxiously. I always was afraid that one of those babies was going to fall in there.
That fishpond isn’t a foot deep, Charlotte said, but all the same she turned and headed toward the back yard.
Edie had come out onto the porch. Anything the matter? she said.
He’s not in the back, yelled Ida Rhew. I looked already.
As Charlotte went past the open kitchen window on the side of the house, she could still hear Ida’s gospel program:
Softly and tenderly Jesus is calling
Calling for you and for me
See, by the portals he’s waiting and watching …
The back yard was deserted. The door of the tool shed stood ajar: empty. A mucid sheet of green scum floated undisturbed over the goldfish pool. As Charlotte glanced up, a ravelled wire of lightning flashed in the black clouds.
It was Mrs. Fountain who saw him first. The scream froze Charlotte in her tracks. She turned and ran back, quick, quick, not quick enough—dry thunder rumbling in the distance, everything strangely lit beneath the stormy sky and the ground pitching up at her as the heels of her shoes sank in the muddy earth, as the choir still sang somewhere and a strong sudden wind, cool with the coming rain, swept through the oaks overhead with a sound like giant wings and the lawn rearing up all green and bilious and heaving about her like the sea, as she stumbled blind and terrified toward what she knew—for it was all there, everything, in Mrs. Fountain’s cry—would be the very worst.
Where had Ida been when she got there? Where was Edie? All she remembered was Mrs. Fountain, a hand with a crumpled Kleenex pressed tight to her mouth and her eyes rolling and wild behind the pearly glasses; Mrs. Fountain, and the poodle barking, and—ringing from nowhere, and somewhere, and everywhere at once—the rich, unearthly vibrato of Edie’s screams.
He was hanging by the neck from a piece of rope, slung over a low branch of the black-tupelo that stood near the overgrown privet hedge between Charlotte’s house and Mrs. Fountain’s; and he was dead. The toes of his limp tennis shoes dangled six inches above the grass. The cat, Weenie, was sprawled barrel-legged on his stomach atop a branch, batting, with a deft, feinting paw, at Robin’s copper-red hair, which
ruffled and glinted in the breeze and which was the only thing about him that was the right color any more.
Come home
, sang the radio choir, melodiously:
Come home …
Ye who are weary come home
Black smoke pouring out the kitchen window. The chicken croquettes had gone up on the stove. They had been a family favorite but after that day no one was ever able to touch them again.
Twelve years after Robin’s death, no one knew any more about how he had ended up hanged from a tree in his own yard than they had on the day it happened.
People in the town still discussed the death. Usually they referred to it as “the accident,” though the facts (as discussed at bridge luncheons, at the barber’s, in bait shacks and doctors’ waiting rooms and in the main dining room of the Country Club) tended to suggest otherwise. Certainly it was difficult to imagine a nine-year-old managing to hang himself through mischance or bad luck. Everyone knew the details, which were the source of much speculation and debate. Robin had been hanged by a type of fiber cable—not common—which electricians sometimes used, and nobody had any idea where it came from or how Robin got hold of it. It was thick, obstinate stuff, and the investigator from Memphis had told the town sheriff (now retired) that in his opinion a little boy like Robin couldn’t have tied the knots by himself. The cable was fastened to the tree in a slipshod, amateurish fashion, but whether this implied inexperience or haste on the killer’s part, no one knew. And the marks on the body (so said Robin’s
pediatrician, who had spoken to the medical examiner from the state, who in turn had examined the county coroner’s report) suggested that Robin had died not of a broken neck, but strangulation. Some people believed he’d strangled where he hung; others argued that he’d been strangled on the ground, and strung up in the tree as an afterthought.
In the mind of the town, and of Robin’s family, there was little question that Robin had met foul play of some sort. Exactly what sort, or by whom, left everyone at a loss. Twice, since the 1920s, women of prominent family had been murdered by jealous husbands, but these were old scandals, the parties concerned long-deceased. And every now and then a black man turned up dead in Alexandria but (as most whites were quick to point out) these killings were generally done by other Negroes, over primarily Negro concerns. A dead child was a different matter—frightening to everyone, rich and poor, black and white—and no one could think who might have done such a thing, or why.
Around the neighborhood there was talk of a Mysterious Prowler, and years after Robin’s death people still claimed to see him. He was, by all accounts, a giant of a man, but after this the descriptions diverged. Sometimes he was black, sometimes white; sometimes he bore dramatic distinguishing marks such as a missing finger, a clubfoot, a livid scar across one cheek. He was said to be a rogue hired man who had strangled a Texas senator’s child and fed it to the pigs; an ex–rodeo clown, luring little children to their deaths with fancy lariat tricks; a psychopathic half-wit, wanted in eleven states, escaped from the state mental hospital at Whitfield. But though parents in Alexandria warned their children about him, and though his massive form was regularly sighted limping around the vicinity of George Street each Halloween, the Prowler remained an elusive figure. Every tramp and itinerant and window-peeper for a hundred miles had been rounded up and questioned after the little Cleve boy’s death, but the investigation had turned up nothing. And while nobody liked to think of a killer walking around free, the fear persisted. The particular fear was that he still prowled the neighborhood: watching children at play from a discreetly parked sedan.
It was the people in the town who talked about this sort of thing. Robin’s family never discussed it, ever.
What Robin’s family talked about was Robin. They told anecdotes from baby days and kindergarten and Little League, all the sweet and funny and inconsequential things anyone remembered he’d ever said or done. His old aunts recalled mountains of trivia: toys he’d had, clothes he’d worn, teachers he’d liked or hated, games he’d played, dreams he’d recounted, things he’d disliked, and wished for, and most loved. Some of this was accurate; some of it was not; a good bit of it no one had any way of knowing, but when the Cleves chose to agree on some subjective matter it became—automatically and quite irrevocably—the truth, without any of them being aware of the collective alchemy which had made it so.
The mysterious, conflicted circumstances of Robin’s death were not subject to this alchemy. Strong as the Cleves’ revisionist instincts were, there was no plot to be imposed on these fragments, no logic to be inferred, no lesson in hindsight, no moral to this story. Robin himself, or what they remembered of him, was all they had; and their exquisite delineation of his character—painstakingly ornamented over a number of years—was their greatest masterpiece. Because he had been such an engaging little stray of a boy, and because his whims and peculiarities were precisely why they had all loved him so, in their reconstructions the impulsive quickness of the living Robin came through in places almost painfully clear and then he would practically be dashing down the street on his bicycle past you, leaning forward, hair blown back, stepping hard on the pedals so the bike wobbled slightly—a fitful, capricious, breathing child. But this clarity was deceptive, lending treacherous verisimilitude to what was largely a fabular whole, for in other places the story was worn nearly transparent, radiant but oddly featureless, as the lives of saints sometimes are.
————
“How Robin would have loved this!” the aunts used to say fondly. “How Robin would have laughed!” In truth, Robin had been a giddy, fickle child—somber at odd moments, practically hysterical at others—and, in life, this unpredictability had been a great part of his charm. But his younger sisters,
who had never in any proper sense known him at all, nonetheless grew up certain of their dead brother’s favorite color (red); his favorite book (
The Wind in the Willows
) and his favorite character in it (Mr. Toad); his favorite flavor of ice cream (chocolate) and his favorite baseball team (the Cardinals) and a thousand other things which they—being living children, and preferring chocolate ice cream one week and peach the next—were not even sure they knew about themselves. Consequently their relationship with their dead brother was of the most intimate sort, his strong, bright, immutable character shining changelessly against the vagueness and vacillation of their own characters, and the characters of people that they knew; and they grew up believing that this was due to some rare, angelic incandescence of nature on Robin’s part, and not at all to the fact that he was dead.
Robin’s younger sisters had grown up to be very different from Robin, and very different from each other.
Allison was now sixteen. A mousy little girl who bruised and sunburned easily and cried at nearly everything, she had grown up, unexpectedly, to be the pretty one: long legs, fawn-red hair, liquid, fawn-brown eyes. All her grace was in her vagueness. Her voice was soft, her manner languid, her features blurred and dreamy; and to her grandmother Edie—who prized sparkle and high color—she was something of a disappointment. Allison’s bloom was delicate and artless, like the flowering grass in June, consisting wholly of a youthful freshness that (no one knew better than Edie) was the first thing to go. She daydreamed; she sighed a lot; her walk was awkward—shuffling, with toes turned in—and so was her speech. Still she was pretty, in her shy, milk-white way, and the boys in her class had started to call her on the telephone. Edie had observed her (eyes downcast, face burning red) with the receiver caught between her shoulder and ear, pushing the toe of her oxford back and forth and stammering with humiliation.
Such a pity, Edie fretted aloud, that such a
lovely
girl (
lovely
, the way Edie said it, carrying the plain freight of
weak
and
anemic
) should hold herself so poorly. Allison should keep her hair from falling in her eyes. Allison should throw her shoulders back, stand tall and confident instead of slumping. Allison should smile, speak up, develop some interests, ask people questions about themselves if she couldn’t think of anything interesting to say. Such advice, though well meaning, was often delivered in public and so impatiently that Allison stumbled from the room in tears.
“Well, I don’t care,” Edie would say, loudly, in the silence following these performances. “Somebody needs to teach her how to act. If I didn’t stay on top of her like I do, that child wouldn’t be in the tenth grade, I can tell you that.”
It was true. Though Allison had never failed a grade, she had come perilously near it several times, especially in elementary school.
Wool-gathers
, noted the Deportment section of Allison’s report cards.
Untidy. Slow. Does not apply self
. “Well, I guess we’ll just have to try a little harder,” Charlotte would say vaguely when Allison trailed home with yet more C’s and D’s.
But though neither Allison nor her mother seemed to care about the bad grades, Edie cared, a rather alarming lot. She marched down to the school to demand conferences with the teachers; tortured Allison with reading lists and flash cards and long-division problems; marked up Allison’s book reports and science projects with red pencil even now that she was in high school.
There was no reminding Edie that Robin himself had not always been a very good student. “High spirits,” she replied tartly. “He would have settled down to work soon enough.” And this was as close as she ever came to acknowledging the real problem, for—as all the Cleves were aware—if Allison had been as lively as her brother Edie would have forgiven her all the C’s and D’s in the world.
As Robin’s death, and the years following it, had served to turn Edie somewhat sour, Charlotte had wafted into an indifference which numbed and discolored every area of life; and if she tried to take up for Allison it was in an ineffectual and half-hearted way. In this she had come to resemble her husband, Dixon, who though a decent provider financially had
never shown his daughters much encouragement or concern. His carelessness was nothing personal; he was a man of many opinions, and his low opinion of girl children he expressed unashamedly and with a casual, conversational good humor. (No daughter of
his
, he was fond of repeating, would inherit a dime.)
Dix had never spent much time at home, and now he was hardly there at all. He was from what Edie considered a social-upstart family (his father had run a plumbing-supply house) and when he’d married Charlotte—lured by her family, her name—he’d believed she had money. The marriage had never been happy (late nights at the bank, late nights at poker, hunting and fishing and football and golf, any excuse for a weekend away) but his cheer wore particularly thin after Robin’s death. He wanted to get the mourning over with; he could not bear the silent rooms, the atmosphere of neglect, lassitude, sadness, and he turned up the television as loud as it would go and strode around the house in a continual state of frustration, clapping his hands, pulling up window shades and saying things like: “Snap out of it!” and “Let’s get back on our feet here!” and “We’re a team!” That his efforts were not appreciated astonished him. Eventually, when his remarks failed to chase the tragedy from his home, he lost all interest in it, and—after restless and ever-increasing weeks away, at his hunting camp—he impulsively accepted a high-paying bank job in a different town. This he made out to be a great and selfless sacrifice. But everyone who knew Dix knew that he hadn’t moved to Tennessee for the good of his family. Dix wanted a showy life, with Cadillacs and card parties and football games, nightclubs in New Orleans, vacations in Florida; he wanted cocktails and laughter, a wife who always had her hair fixed and the house spotless, ready to pull out the hors d’oeuvres tray at a moment’s notice.