The Mapmaker's War

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Authors: Ronlyn Domingue

Tags: #General Fiction

 
THE
MAPMAKER'S
WAR
a
legend
RONLYN DOMINGUE

NEW YORK LONDON TORONTO SYDNEY NEW DELHI

ALSO BY RONLYN DOMINGUE

The Mercy of Thin Air

ATRIA
BOOKS
A Division of Simon & Schuster, Inc.
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2013 by Ronlyn Domingue
Illustrations copyright © 2012 by Kathryn Hunter
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. 
For information, address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.
First Atria Books hardcover edition February 2013
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Designed by
Manufactured in the United States of America
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
ISBN: 978-1-4516-8888-7
ISBN: 978-1-4516-8888-0 (ebook)
TRANSLATOR'S NOTE
This narrative is an exceptional rarity. The source language scarcely has been heard spoken outside of its cultural borders. Until the acquisition of this work, the presumption was that no writing system existed for the language. In remarkable condition despite its age, the handwritten manuscript is not only one of the earliest known autobiographies but also one of the first attributed to a woman.
   The author's rhetorical structure defies convention of any period; she addresses herself throughout and appears to be her own audience. Further, while matters of war and society are so often the domain of chroniclers, historians, and philosophers, this author offers a concurrent, heretofore unknown representation of past events through the story of a participant and a survivor.
   Simplified pronunciations of several proper names are as follows. Aoife [ee-fah]; Ciaran [keer-ahn]; Wyl [will]; Aza [ah-zah]; Edik [ed-ick]; Leit [lite]; Wei [why]; and Makha [mahk-ah].

—S. Riven

 

THE

MAPMAKER'S

WAR

THIS WILL BE THE MAP OF YOUR HEART, OLD WOMAN. YOU ARE FORGETFUL of the everyday. | misplaced cup, missing clasp | Yet, you recall the long-ago with morning-after clarity. These stories you have told yourself before. Write them now. At last, tell the truth. Be sparse with nostalgia. Be wary of its tangents. Mark the moments of joy but understand that is not now your purpose. Return to the places where your heart was broken. Scars evidence harm done. Some wounds sealed with weak knits. They are open again. The time has come to close them.

Here, choose the point of entry. Any place, any time, right now and you have—

Your small finger in the hearth's ashes. A line appears. You divide space.

Then there were twigs and broom bristles. Scratches and marks and lines until you had the control to create shape. Circle, triangle, square, said your older brother. Ciaran put the first nib under your thumb and first scrap of parchment beneath that. What you drew is missing in substance and memory. In its place, years apart, you transformed the circle into a tub. The triangle was a churn. The square became a table. You marked your spot with an X.

Aoife, said your brother, who taught you to draw a map?

The kitchen as it was when you were five. You could render space and suspend time.

You lived in a large cold house at the edge of a forest. The shady quiet lured, then hid, you. Wild child, said the nursemaid. Uncivilized, your mother declared when you returned home dirty with treasures. She tried and failed to tame you. Wait until I tell your father, said she. Next to his chair, you held your breath and your guard. He saw no harm in the fresh air and exercise. Good habit to start now because what man wants a fat wife? said your father. Indulgent, she called him. She stormed off on stout legs.

You had few ordinary interests as a girl. You didn't dress your bronze hair, tend to dolls, or join petty quarrels. This perplexed your mother, who tried her best to create a being in her own image. You soon realized you had to give to take. When you were attentive to your morning girlhood duties, she fought less when you asked for afternoon freedom. You acquiesced to learn how to behave regardless of whether you intended to follow suit. The reward was worth the concession.

With meticulous care, you planned your provisions, though not your expeditions. Adventure wasn't in the hunger to come but in the quest of what to follow. You packed your pouch | nuts and fruit, soft bread and hard cheese | along with parchment and ink, cloth scraps and straight edges.

You mapped the hidden worlds when you were still young enough to see them.

Spiderwebs and honeycombs taught the wisdom of symmetry. To you, everything before your eyes was built upon invisible lines and angles. The very spot where you stood only a point among many. A girl is not always in her place, you thought. A girl can be many places at once. And so you were. When you settled upon a space in the forest or meadow, you made a grid on the earth with small steps and tiny flags until there were row upon row of even little squares. You took your seat within the grid. You moved from square to square, noting what stood still and what passed by. All day long you observed and measured, sketched and colored. That which was off the edges appeared on the parchment as well. There were mysterious realms of bees and ants and creatures never seen before, with tiny castles and bright gardens.

One day, as you traced the uncovered trails of termites, you heard a rustle in the brush. You remained still with hope that the ancient stag or a sturdy bear would meet your eye. What a lovely beast to draw in that place! Instead, you faced a boy with green eyes and chestnut curls. A boy you knew well. Prince Wyl called your name and held up a dead rabbit by its hind legs. You lifted your hand in a polite wave and turned back to your work.

Did you see what I caught? I shall skin it and give the fur to the tailor to make you a fine collar, said Wyl.

It will be cold if you do that, you said.

It's dead. It has no need for fur now.

So literal, Wyl. You mistake my japes.

You meant no hardness toward him. As you looked to the ground again, you smiled. You knew his gesture was an act of affection. Such regard you had neither sought nor earned. His attentions you tried not to encourage or reject. That you two knew each other at all was a matter of circumstance. Your father served as the King's most trusted adviser.

On that day, when you wished Wyl had been the stag or a bear, you realized he didn't ask to see your map. He had on other occasions. You had no way to know that in years to come he would be privy to every chart you made, to the very last one.

See, you became a mapmaker.

Those hours you spent looking at the distance from one point to the next | star to star, rock to rock, blade to blade | were your study of geometry before you ever received formal instruction. You could be both abstract and precise, and sit for long periods. Ciaran gave you lessons in mathematics and astronomy. He had also taught you to read. You enjoyed the challenge of learning. You also liked the attention from your brother, amiable and patient with you. Your mother encouraged the companionship between her children. However, she saw no purpose for the lessons.

You need to know what is practical for a woman, said she. All this effort leads to nothing.

Nothing indeed would have come of it had you not heard your father and brother in conversation.

The kingdom was in a quiet time. For generations before, there had been years of strife, battles to claim land and battles to control it. At last, there was much to manage and little known about the holdings. They discussed the King's consideration to map the entirety of his realm. Mapmakers would need to be hired and some trained.

You almost cried out on impulse. This you wanted to do, although you didn't know why. You banished the thought that you would be denied the training. You wanted to be good at something other than what was expected of you, for life. You threw yourself at chance.

We'll see, said your father when you asked for a place at the apprentice's table. Don't raise your hopes, said Ciaran when you told him of your wish. Your brother, seven years your senior, had begun to serve the King in earnest, the heir to your father's role as a trusted adviser. You had no such secure inheritance. You suspected your name would not receive mention.

Now. Tell the truth.

You turned Wyl's affection to your advantage. The pull between you both served in your favor. You didn't call it manipulation. Perhaps it was. An offhand comment was all it took.
I would like to learn
to draw real maps. W
ith magical speed, there you were in the mapmaker's chamber.

Heydar came from another kingdom with an accent, his instruments, and several bound volumes. His ears sprouted whiskers that reached up to his frantic hair and down to his bushy beard. He looked, and ate, like a lion. You passed the tests he gave you, then he tested your courage because he saw your wits. He didn't care that you were a girl, but twelve. All he cared was whether you could learn the craft, whether you practiced enough. He demanded excellence. You would deliver.

You thought to thank the King for his favor. Wyl arranged a brief meeting. The King said he had been assured of your talents. He said he made exceptions for what pleased him, and it pleased him greatly to have such intelligence, enthusiasm, and tenacity at his service. He gave no mention as to who might have swayed him. Or why he allowed it.

When you sat with your studies at home, your mother bustled to and fro. She stitched and stitched and stitched. She hurried and harassed the servants. She sighed and moaned. You ignored her. She told your father he would have difficulty finding a mate for such a daughter as yourself.

She isn't crippled or ugly, which is good enough, but no man wants a stupid wife, said he.

That was how you became apprenticed to the old man. Why you, with that silent desperation you hoped he could not detect? You sensed if you could do well there, if you were a good mapmaker, you would avoid the inevitable. You knew what happened to girls like you.

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