Authors: Colin Dexter
That was all. Enough, though, for the Colonel to feel that it was worth preserving! There was only one ‘Daniel’ in the case, Daniel Carrick from Derby; and here was
that one piece of primary-source material that linked the Colonel’s narrative in a tangible, physical way to the whole sorry story. Agreed, Daniel Carrick had never figured all that
prominently in Morse’s thinking; but he
ought
to have done. He was surely just as damningly implicated as the other two in the deception – the twin deception – which had
seen the Notts and Midlands Friendly Society having to fork out, first for the death of the great uncoffined Donavan, and then for the death of the enigmatic Joanna, the great undrowned.
Morse turned over the faded, deeply creased letter and saw, on the back, a few pencilled notes, pretty certainly in the Colonel’s hand: ‘No records from Ins. Co. – Mrs C. very
poorly at this time? Not told of J.’s death? 12 Spring St. still occupied 12.4.76!’
There it was then – palpable paper and writing, and just a finger-tip of contact with one of the protagonists in that nineteenth-century drama. As for the two principal actors, the only
evidence that could have been forthcoming about them was buried away with their bodies. And where Joanna was buried – or where the greatest man in all the world – who knew, or who could
ever know?
Modern dancers give a sinister portent about our times. The dancers don’t even look at one another. They are just a lot of isolated individuals jiggling in a kind of
self-hypnosis
(
Agnes de Mille
, The New York Times)
T
HE PARTY-GOERS WERE
fully aware that when the caretaker said midnight he meant 11.55 p.m.; but few had managed to arrive at the Nurses’ Hostel
before 9 p.m. In any case, the event was never destined to be of cosmic significance, and would have little to show for itself apart from a memory or two, a few ill-developed photographs, and a
great deal of clearing up the following morning.
As soon as he took his first steps across the noisy, throbbing, flashing room – it was now 10.30 p.m. – Morse realized that he had made a tragic error in accepting the invitation.
‘Never go back!’ – that was the advice he should have heeded; yet he had been fool enough to recall the white sheets and the Fair Fiona and the Ethereal Eileen. Idiot! He sat down
on a rickety, slatted chair, and sipped some warm insipid ‘punch’ that was handed out in white plastic cups to each new arrival. Constituted, if taste were anything to go by, of about
2% gin, 2% dry Martini, 10% orange juice, and 86% lemonade, it was going to take a considerable time, by Morse’s reckoning, before such Ravishing Refreshments turned him on; and he had just
decided that the best thing about it was the little cubes of apple floating on the top when Fiona detached her sickly-looking beau from the dance-floor and came up to him.
‘Happy Christmas!’ She bent down, and Morse could still feel the dryness of her lips against his cheek as she introduced the embarrassed youth, repeated her Christmas greeting, and
then was gone – throwing herself once more into a series of jerky contortions like some epileptic puppet.
Morse’s plastic cup was empty and he walked slowly past a long line of tables, where beneath the white coverings he glimpsed sugared mince-pies and skewered sausages.
‘We’ll be starting on them soon!’ said a familiar voice behind him, and Morse turned to find Eileen, blessedly alone and, like only a few of the others, wearing her
uniform.
‘Hullo!’ said Morse.
‘Hullo!’ she said softly.
‘It’s good to see you!’
She looked at him, and nodded, almost imperceptibly.
A tall man, looking as if he might have been involved in a fight recently, materialized from somewhere.
‘This is Gordon,’ said Eileen, looking up into the shaded planes of Gordon’s skull-like face. And when Morse had shaken hands with the man, he once more found himself alone,
wondering where to walk, where to put himself, how to make an inconspicuous exit, to cease upon the five-minutes-to-eleven with no pain.
He was only a few feet from the main door when she was suddenly standing in front of him.
‘You’re not trying to sneak away, I hope!’
Nessie!
‘Hullo, Sister. No! I’m – I mustn’t stay too long, of course, but—’
‘I’m glad you came. I know you’re a wee bit old for this sort of thing …’ Her lilting Scottish accent seemed to be mocking him gently.
Morse nodded; it was difficult to argue the point, and he looked down to pick out the one remaining apple cube from his cup.
‘Your sergeant did you rairther better – with the drink, I mean.’
Morse looked at her – suddenly – almost as if he had never looked at her before. Her skin in this stroboscopic light looked almost opaline, and the colour of her eyes was emerald.
Her auburn hair was swept upward, emphasizing the contours of her face, and her mouth was thinly and delicately lipsticked. For a woman, she was quite tall, certainly as tall as he was; and if only
(as Morse thought) she’d worn something other than that miserably dowdy, unflattering dress …
‘Would you like to dance, Inspector?’
‘I – no! It’s not one of my, er, things, dancing, I’m afraid.’
‘What—?’
But Morse was never to know what she was going to ask him. A young houseman – smiling, flushed, so happily at home here – grabbed her by the hand and was pulling her to the
floor.
‘Come on, Sheila!
Our
dance, remember?’
Sheila!
‘You won’t try to sneak away – ?’ she was saying over her shoulder. But she was on the dance-floor now, where shortly all the other dancers were stopping and moving to
the periphery as the pair of them, Sheila and her young partner, put on a dazzling display of dance-steps to the rhythmic clapping of the audience.
Morse felt a stab of jealousy as his eyes followed them, the young man’s body pressed close to hers. He had fully intended to stay, as she had asked. But when the music had finished, the
newly metamorphosed Nessie, pretending to collapse, had become the centre of enthusiastic admiration, and Morse placed his plastic cup on the table by the exit, and left.
At 9.30 the following morning, after a somewhat fitful sleep, he rang the JR2 and asked for Ward 7C.
‘Can I speak to Sister, please?’
‘Who shall I say is calling?’
‘It’s – it’s a personal call.’
‘We can’t take personal calls, I’m afraid. If you’d like to leave your name—’
‘Just tell her one of her old patients from the ward—’
‘Is it Sister Maclean you wanted?’
‘Yes.’
‘She’s left – she left officially last week. She’s off to be Director of Nursing Services—’
‘She’s left Oxford?’
‘She’s leaving today. She stayed on for a party last night—’
‘I see. I’m sorry to have bothered you. I seem to have got the wrong end of things, don’t I?’
‘Yes, you do.’
‘Where is she going to?’
‘Derby – Derby Royal Infirmary.’
The very designation of the term ‘slum’ reflects a middle-class attitude to terrace-housing, where grand values are applied to humble situations
(
James Curl
, The Erosion of Oxford)
S
INCE FAST DRIVING
was his only significant vice (apart from egg-and-chips) Lewis was delighted, albeit on one of his ‘rest’ days, to be
invited to drive the Lancia. The car was a powerful performer, and the thought of the stretch of the M1 up to the A52 turn-off was, to Lewis, most pleasurable. Nor had Morse made the slightest
secret of the fact that the main object of the mission was to find out if a thoroughfare called ‘Spring Street’ still stood – as it had stood until 1976 – on the northern
outskirts of Derby.
‘Just humour me, Lewis – that’s all I ask!’
Lewis had needed little persuasion. It had been a momentous ‘plus’ in his life when Morse had intimated to his
superiors that it was above all with him, Sergeant Lewis, that his brain functioned most fluently; and now – moving the Lancia across into the fast lane of the M1 at Weedon – Lewis felt
wholly content with the way of life which had so happily presented itself to him those many years since. He knew, of course, that their present mission was a lost cause. But then Oxford was not
unfamiliar with such things.
Spring Street proved difficult to locate, in spite of a city-map purchased from a corner-newsagent in the northern suburbs. Morse himself had become progressively tetchier as
the pedestrians to whom Lewis wound down his window appeared either totally ignorant or mutually contradictory. Finally, however, the Lancia homed in on an area, marked off by hoardings, announcing
itself as the ‘Derby Development Complex’, with two enormously tall, yellow cranes tracing and retracing their sweeping arcs above the demolition squads below.
‘Could be too late, could we?’ ventured Lewis.
‘It doesn’t
matter
– I’ve
told
you, Lewis.’ Morse wound down his own window and spoke to a brick-dusted, white-helmeted workman.
‘Have you flattened Spring Street yet?’
‘Won’t be long, mate,’ the man replied, pointing vaguely towards the next-but-one block of terraced houses.
Morse, somewhat irked by the ‘mate’ familiarity, wound up his window, without a ‘thank you’, and pointed, equally vaguely, to Lewis, the latter soon pulling the Lancia in
behind a builder’s skip a couple of streets away. A young coloured woman pushing a utility pram assured Morse that, yes, this
was
Spring Street, and the two men got out of the car and
looked around them.
Perhaps, in some earlier decades, the area had seen some better times; yet, judging from its present aspect it seemed questionable whether any of the houses in this unlovely place had ever
figured in the ‘desirable’ category of residences. Built, by the look of them, in the early 1800s, many were now semi-derelict, and several boarded-up completely. Clearly a few remained
tenanted, for here and there smoke rose up into the grey air from the narrow, yellow chimney-pots; and white-lace curtains still framed the windows yet unbroken. With distaste, Morse eyed the
squashed beer-cans and discarded fish-and-chip wrappings that littered the narrow pavement. Then he walked slowly along, before stopping before a front door painted in what fifty years earlier had
been a Cambridge blue, and into which a number-plaque ‘20’ was screwed. The house was in a terraced group of six; and walking further along, Morse came to the door of an abandoned
property on which, judging from the outlines, the figures ‘16’ had once been fixed. Here Morse stopped and beckoned to Lewis – the eyes of both now travelling to the two adjacent
houses, boarded up against squatters or vandals. The first house must, without question, have once been Number 14 – and the second, Number 12.
The latter, the sorry-looking object of Morse’s pilgrimage, stood on the corner, the sign ‘Burton Road’ still fastened to its side-wall, although no sign of Burton Road itself
was any longer visible. Below the sign, a wooden gate, hanging forlornly from one of its rusted hinges, led to a small patch of back-yard, choked with litter and brownish weeds, and cluttered with
a kiddy’s ancient tricycle and a brand-new trolley from a supermarket. The dull-red bricks of the outer walls were flaking badly, and the single window-frame here had been completely torn
away, leaving the inside of the mean little abode open to the elements. Morse poked his face through the empty frame, across the blackened sill, before turning away with a sickened disgust: in one
corner of the erstwhile kitchen was what appeared to be a pile of excrement; and beside it, half a loaf of white bread, its slices curled and mildew green.
‘Not a pretty sight, is it?’ whispered Lewis, standing at Morse’s shoulder.
‘She was brought up here,’ said Morse quietly. ‘She lived here with her mother … and her father …’
‘… and her brother,’ added Lewis.
Yes! Morse had forgotten the brother, Joanna’s younger brother, the boy named after his father – forgotten him altogether.
Reluctantly Morse left the small back-yard, and slowly walked round to the front again, where he stood in the middle of the deserted street and looked at the little
terrace-house in which Joanna Carrick-Donavan-Franks had probably spent – what? – the first twenty or so years of her life. The Colonel hadn’t mentioned exactly where she was
born, but … Morse thought back to the dates: born in 1821, and married to the great man in 1842. How reassuring it would have been to find a date marked on one of the houses! But Morse could
see no sign of one. If the house had been built by the 1820s, had she spent those twenty years in and around that pokey little kitchen, competing for space with the sink and the copper and the
mangle and the cooking-range and her parents …? And her younger brother? He, Morse, had his own vivid recollections of a similarly tiny kitchen in a house which (as he had been told) had been
demolished to make way for a carpet-store. But he’d never been back. It was always a mistake to go back, because life went on perfectly well without you, thank-you-very-much, and other people
got along splendidly with their own jobs – even if they were confined to selling carpets. Yes, almost always a mistake: a mistake, for example, as it had been to go back to the hospital; a
mistake as it would have been (as he’d intended) to go along to the Derby Royal and nonchalantly announce to Nessie that he just happened to be passing through the city, just wanted to
congratulate her on becoming the Big White Chief …
Lewis had been talking whilst these and similar thoughts were crossing and recrossing Morse’s mind, and he hadn’t heard a word of what was said.
‘Pardon, Lewis?’
‘I just say that’s what we used to do, that’s all – over the top of the head, as I say, and put the date against it.’
Morse, unable to construe such manifest gobbledegook, nodded as if with full understanding, and led the way to the car. A large white-painted graffito caught his eye, sprayed along the lower
wall of a house in the next terrace: HANDS OFF CHILE – although it was difficult to know who in this benighted locality was being exhorted to such activity – or, rather, inactivity. TRY
GEO. LUMLEY’s TEA 1s 2d, seemed a more pertinent notice, painted over the bricked-up first-floor window of the next corner house, the lettering originally worked in a blue paint over a
yellow-ochre background, the latter now a faded battleship-grey; a notice (so old was it) that Joanna might well have seen it every day as she walked along this street to school, or play – a
notice from the past which a demolition gang of hard-topped men would soon obliterate from the local-history records when they swung their giant skittle-balls and sent the side-wall crumbling in a
shower of dust.