Q
QUOTES
Tour de France
“Riding up a mountain in the Tour if you are bad is like being sick.”
âROBERT MILLAR
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“Do they not have wings, those men who have today managed to climb to heights where eagles dare not go?”
âTour founder HENRI DESGRANGE on climbers
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“Getting married is not like the Tour de France. You can't just climb off if it goes badly.”
âSEAN KELLY
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“Ride like you just stole something.”
âLANCE ARMSTRONG to his teammate Floyd Landis in the 2004 Tour
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“The Tour de France produces in me such persistent satisfaction that my saliva flows in imperceptible but stubborn streams.”
âSalvador Dalà (see ART)
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“The Tour is the nearest thing to life outside life itself. You're born and you set out. For some, things go wrong from the start ... sometimes the deserving win. Those with connections have every advantage ... sometimes justice puts the boot in and upsets things.”
âTerry
Davenport in Ralph Hurne's
The Yellow Jersey
(see BOOKSâFICTION)
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Personalities
“The bike comes first.
ӉSean Kelly after his wife Linda said he cared about his car and his bike more than about her
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“Anything beats working for a living and I've been delaying the inevitable as long as possible.”
âSEAN YATES on why he has never stopped cycling
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“The thing is not where you finished, but how much [money] did you make.”
âTOM SIMPSON
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“People like watching me on television because they never know if I'll still be in the bunch when they come back from having a quick leak.”
âThe gloriously unpredictable Pedro Delgado of SPAIN
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“Some cyclists race to give people a thrill, some race to win. I belong to the second group.”
âFive-times Tour winner and quiet man MIGUEL INDURAIN
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“If you put a cup of milk between his shoulders at the foot of a mountain he would cross the summit without spilling a drop.”
âRené Vietto on the super-stylish campionissimo ALFREDO BINDA
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“If I had to make the perfect cyclist I would give him ANQUETIL's legs, Armstrong's brain, the power and authority of HINAULT, Indurain's heart and one of my bikes.”
âEDDY MERCKX
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Cycling and the bike
“God created the bicycle as a tool for men to show effort and exaltation on the hard road of life.”
âMotto of the cycling CHAPEL at Madonna del Ghisallo
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“There are many times when physically I would welcome a car hitting me and cutting it all short there and then, I hurt so much.”
âAlf Engers (see TIME TRIALLING)
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“A perfect expression of the machine aesthetic.”
âdesigner Stephen Bayley
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“You would be surprised at the number of people in these parts who nearly are half men and half bicycles.”
âFlann O'Brien (
The
Third Policeman
, see BOOKSâFICTION)
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“[The velocipede] replaces collective brutish unintelligent speed with collective speed, obeying man's will.”
âRichard Lesclide,
Le Vélocipede Illustré
, 1869
“To ride a bicycle properly is very like a love affairâchiefly it is a matter of faith. Believe you can do it, and the thing is done; doubt and for the life of you, you cannot.”
âH. G. Wells (
The
Wheels of Chance
, see BOOKSâFICTION)
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“âThere is a lot of uphill about a bicycle tour,' said George, âand the wind is against you.' âSo there is downhill, and the wind behind you,' said Harris.”
âJerome K. Jerome,
Three Men on the Bummel
R
RACE ACROSS AMERICA
Iconic long-distance event run from the West Coast of the UNITED STATES to the East, founded in 1982 as the Great American Bike Race. That event was run from Santa Monica to the Empire State Building, had just four entrants, and was won by Lon Haldeman in 9 days, 20 hours, 2 minutes, at an average of 12.57 mph, a far cry from the first crossing of the US in 1887, when the journalist George Nellis took just under 80 days on a HIGH-WHEELER.
The RAAM is not run in stages, but instead the clock runs continuously as on a RECORD attempt such as the END TO END, making it a battle against sleep deprivation as well as a test of cycling stamina. Sometimes up to half the solo racers pull out due to exhaustion. As in record attempts, the cyclists have support teams traveling with them; at night they must be accompanied by a vehicle with flashing lights for safety reasons.
The race is divided into solo and team categories, with teams of up to eight riders permitted, each man racing a separate leg while the others rest. The relay teams average over 500 miles per day and have gotten the record down to six or seven days although the solo category remains the most prestigious. In 1989 teams of RECUMBENT cycles entered. Entrants must be members of the Ultra Marathon Cycling Association and must have ridden a set number of qualifying events.
Because the course varies from year to yearâalthough it is always run west to eastâRAAM records are measured in average speed, not time. The fastest average is by Pete Penseyres in 1986, 15.4 mph for 3,107 miles; the women's record was set by Seana Hogan (1995), 13.23 mph for 2,912 miles.
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(SEE
PARISâBRESTâPARIS
AND
RAID PYRENEAN
FOR THE MOST LEGENDARY LONG-DISTANCE EVENTS IN EUROPE)
RADIOS
Since the late 1990s, team managers and riders in professional races have used small radios for communication; the rider carries a transmitter/ receiver in the back pocket of his jersey connected to an earpiece/ microphone while the manager has a microphone and receiver in the car. If the race is being televised live, the manager or mechanic will have a small-screen
TV in the car so that he can observe the race in real time and issue instructionsâtime gaps on a break, when to chase a break or get across to an attackâas the action happens. The radios are also used to warn riders of obstacles such as traffic islands and dangerous corners, while a sprinter such as MARK CAVENDISH will be advised on conditions close to the finish; riders will use the system to tell the manager if they need service, for example after a crash or puncture.
The system originated in the US and was brought to Europe by GREG LEMOND in 1991. The Motorola team of SEAN YATES, PHIL ANDERSON, and LANCE ARMSTRONG was the first squad to use it from 1994 onwards. Previously, communication between riders and team staff was minimal. The managers would rely on Radio Tourâthe internal radio system used by most major racesâwhile the riders would watch for a blackboard carried by a motorcycle marshal, on which was written information such as a break's time gap and the numbers of the riders in a move. To give instructions to his riders, the manager would have to wait for one of them to call him to the back of the bunchâfor example to collect bottlesâor he would have to drive up to the bunch and find them.
There is some debate about the use of the radios, as opponents claim it gives the managers too much influence over tactics and the riders are mere pawns. In particular, it is said that attacking racing is impossible, because teams can react so quickly to threatening moves. To encourage riders to use their initiative, the UCI banned radios in under-23 races. At the 2009 TOUR DE FRANCE, the organizers attempted to run two stages without radios being used, but were stymied when riders did not race, apparently in protest. The UCI decided at the end of 2009 that it would phase out the devices' use, but did not give a timescale and it seems that a battle with the teams might well be in prospect.
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RAID PYRENEAN
An informal challenge for the fit cyclist that takes in all the major passes in the PYRENÃES and has been going since 1952. The 713 km route from Hendaye on the Atlantic to Cerbère on the Mediterranean is pre-set, includes 11,000 m of climbing and has to be covered within a time limit of 100 hours. There is a window when it can be done, between June and September, when the highest passes are free of snow.
Cyclists wishing to tackle the Raid have to acquire pass books (
brevets
) from the organizing club, CC Béarnais, in the town of Pau. They supply accommodation info and numbered bike tags, as well as medals for those completing the course. The books are stamped at overnight stops, while there may be informal checkpoints along the way. The Raid can be tackled independently, although there are also package companies that will arrange the trip.
The Alpine equivalents, the Raids Alpine (see ALPS) are longer, tougher, and less popular. Other less well-known raids include CalaisâBrindisi and ParisâGibraltar while France has nine “diagonals” connecting the extremes of the country, starting or finishing in Brest, Strasbourg, Perpignan, Dunkirk, Menton, and Hendaye.
RALEIGH
One of the world's most celebrated bike makers, once the biggest in the world. Its world-famous “heron” frame badge once graced an industry leader, sturdy roadsters ridden worldwide, and a TOUR DE FRANCE winner.
The company began in 1886 on Raleigh Street in Nottingham, England, in a small workshop that made three safety bicycles a week; local lawyer Frank Bowden bought the operation and founded the Raleigh Cycle Company in 1888. One of Raleigh's earliest stars was the great American track cyclist A. A. ZIMMERMAN.
Apart from a brief spell as a public company it remained in the Bowden family until 1934, making cycles, Sturmey Archer hub gearsâpatented in 1902âmotorcycles, and motorbike gear boxes. By the 1920s the company was making 3,000 cycles per week.
It flirted with making a three-wheel car but by 1938 was solely a bike company turning out half a million bikes a year. Production was over a million in 1951, at the zenith of the British cycle industry, but business went rapidly downhill in the 1950s as the car gained in popularity. A series of mergers, including Raleigh's own takeover by the Tube Investments Group, brought other famous British cycle and motorcycle names such as BSA, Triumph, Sunbeam, and Hercules under the Raleigh banner.
The 1960s saw attempts at
collaboration with SIR ALEX MOULTON to produce small-wheel bikes, after Moulton's invention had revitalized the market. From 1965 Raleigh competed with its own small-wheeler, the RSW16, with a massively expensive publicity campaign. The war with Moulton ended when Raleigh bought its competitor out. With two hugely successful models, the Chopper, an iconic kids' bike, and the Twenty, a small-wheel shopping bike, the 1970s saw the company boom again. Raleigh profited from a massive increase in the market in the UNITED STATES and had other overseas operations including the Gazelle company in Holland and large sales of classic old roadsters across the former British empire. By 1975 its site in Nottingham covered 75 acres.
In Europe, Raleigh sponsored the most successful professional team of the late 1970s and early 1980s, managed by the Dutchman Peter Post but barely ever including more than one British cyclist in its lineup. Post brought the company world titles in 1978 and 1979 and the Tour de France title with Joop Zoetemelk in 1980, with 77 stage wins in the Tour between 1976 and 1983.
Raleigh had largely abandoned high-end racing bikes at the end of the 1950s, producing them in the 1960s through the Carlton brand then changing tack to its own lightweight department, which never truly flourished. Along with much of British manufacturing, Raleigh suffered in the 1980s when the British cycle market expanded but mainly on the back of imported machines and the sudden craze for BMX; Raleigh was hit by importsâits image simply wasn't glamorous, and its products seemed backwardâwhile the BMX boom was shortlived. Market share plummeted, component manufacture gradually ceased, jobs were slashed, and the company was sold in 1987 to Derby International, a specially created parent company. Initially, Raleigh flourished
again, as the market grew after the arrival of the MOUNTAIN BIKE, thanks in part to a highly successful off-road team led by stars such as the glamorous Caroline Alexander and a high-end range of mountain-bikes under the M-Trax label. Derby expanded to buy a string of cycle makers, most notably US mountain-bike company Diamondback.
The Raleigh Team Song
=
One of the more forgettable Raleigh products was a record made by the TI-Raleigh squad in the late 1970s. “
Wie zijn de vedettes
” translates roughly as “Who are the stars?” and was described by Tim Clifford in
Cycle Sport
magazine as “as unholy a slab of pre-techno Europop as you could ever hope to encounter. Imagine a ditty that crosses oompah band with can-can and throws in a bit of banjo along the way and you will have the drift. Wisely the team's singing chores are restricted to the chorusâan unfortunate affair that has them singing âO wie o wie o wie' rather a lotâand adding inexplicable âha-ha-ha-ha' laughing descants at random during the verses.”
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The final verse, roughly translated, runs like this:
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We want the glory
Ours is the victory
Up the Champs-Elysées
Our first prize awaits
We don't care
We just want the yellow
And Holland will sing along
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Another piece of less-than-tasteful Eurotrash was produced by HOUR RECORD breaker FRANCESCO MOSER but fortunately this has sunk without trace.
In the early 1990s, Raleigh devised the first hybrid bike, the Pioneer, which used mountainbike technology adapted for solely on-road use, to get away from the exclusive image of racing bikes. The company also experimented with suspension at the inexpensive end of the market, something that is ubiquitous today, and produced an early electric bike, the Select, in 1997.