Democracy of Sound (56 page)

Dittolino Discs label,
153

Diva
(Jean-Jacques Beineix),
175

DJ Clue,
167
,
169
–70

DJ Drama,
167
,
173

DJ Kay Slay,
170

DJ Kool Akiem,
168

DJ Red Alert,
171

DJ Whoo Kid,
169

DJs (hip hop),
6
,
151
,
162
,
164
–73,
202
,
204
,
205
,
214

“Dominic the Impotent Bull” (Elvis Presley),
113

Doo Wop (DJ),
167

Doobie Brothers,
150
–2

Doo-Yun, Hwang,
191

Douglas, William,
138

Down Beat
,
39
,
51

Dr. Dre,
167

Dresden Opera House,
76

Dubs,
41
–2,
55
,
57

Dunkel Draft,
193
–4

Dunn, Winfield,
125

Dwork, John R.,
160

Dylan, Bob,
135
–6,
152
,
158
,
162

and “basement tapes,”
4
,
78
,
94
,
96
–8,
163

bootlegs of,
99
–102,
104
,
106
,
109
–10,
207
–8
See also Great White Wonder

“Early to Bed” (Fats Waller),
59

Eastern Tape,
112

eBay,
159
–60

E-C Tape,
112
,
142

“Economy of Ideas, The” (John Perry Barlow),
161

Edison, Thomas

sound recording innovations of,
1
,
4
,
12
,
66
,
200

on applications of sound recording,
13
,
24
,
68

EFF (Electronic Frontier Foundation),
161
–2,
204
,
211

eight-track,
7
,
84
–6,
144

Eilberg, Joshua,
149

Ekecs, Geza,
93
–4

Electrical World
,
66

Elektra,
181

Eliseo, Mario,
144

Ellington, Duke,
74

Elvis’ Greatest Shit!!
(Elvis Presley),
113

Emerging Artists and Talent,
215

EMI (Asia),
195

EMI.
See
Capitol Records

Entertainment Software Association,
191

Entführung aus dem Serail
(Mozart),
76

Enyart, Jim,
192

Erlanger, Steve,
189

Ernest, Roland,
77

Ervin, Thomas E.,
127

Evans, Walker,
206

Excelsior Phonograph Company,
25
(fig.)

Facebook,
8
,
202

Faces,
96

Fantasy Records,
110
,
130

FBI,
139
,
142
–4,
153
,
191

Fenby, Jonathan,
184

Fernando, S. H.,
167
,
172

file sharing,
7
,
86
,
202
,
207
–8,
215
–16

Fine, Jack.
See
Kessler, Jack

Flower
(Dylan bootleg),
100
–1

Folkways label,
59
,
60
(fig.)

Fonotipia v. Bradley
(1909),
19
,
30
–4,
35
,
50
,
126

Ford,
84

Ford, Henry, II,
84

Fordism,
208

four-track,
7
,
82
–3,
85
–7

France,
22
,
39
,
42
,
179
(fig.),
186
,
190

Francis, Jack,
140
–1

Frank, Barney,
211

Free Music Store
(Patti Smith),
108

Free Software Foundation,
161
–2

Friday Night Lights
mixtape (J. Cole),
1

Friendster,
202

Fuller, Melville,
20

Fulton, Richard,
131

Funkmaster Flex,
167
,
170

Furniss, George W.,
22
–3

G&G Sales,
112
,
133

Gabler, Milt,
42
,
53

Gangsta Grillz mixtapes (DJ Drama),
173

GATT (General Agreement on Trade and Tariffs),
192
–6,
198

Geibel, Adam,
19

General Electric,
68

General Motors,
119
,
190

General Music,
144

Gennett label,
35

Germany,
36
,
66
–9,
76
,
80
,
93
,
179
(fig.),
182
,
188
–90

Gershwin, George,
27

“Get Back” (The Beatles),
105

Get Rich or Die Tryin’
(50 Cent),
170

Gifford, Livingston,
19

Gill, John, Jr.,
28

Gilmore and Holding Band,
16

Giuliani, Rudolph,
168

Gleason, Ralph,
110
,
130

Globe Phonograph,
15

Godfather, The
,
182

Godzilla’s American Phonograph Record

Export Service,
113

Goldberg, Morton,
121

Golden, Bill,
82
–4

Goldmine
,
153

Goldsmith, Kenneth,
206

Goldstein v. California
(1973),
86
,
118
,
136
–8,
141
,
149

Goldstein, Donald,
136

“Good Times” (Chic),
164
,
166

Goodfriend, James,
74
–5,
78
–9,
128

Goodman, Benny,
44
,
51
(fig.),
57

Google,
8

Gortikov, Stanley,
131
,
134
,
147

Gould, Joe,
74
,
79
,
87

GPL (general public license),
162

Gramophone label,
201
.
See also
Capitol Records

Grandmaster Flash,
164
–5,
169

Grateful Dead,
5
,
151
,
163
–4,

and tape trading,
156
–60,
173
,
213
,
215

as precursor of Creative Commons,
161
–2,
211

Grauer, Bill,
57

Grease
,
177
,
182

“Great American Rip-Off, The” (IRTA),
148

Great Depression,
41
,
44
,
67
,
78
,
82

Great White Wonder
(Bob Dylan),
78
,
103
,
113
,
118

criticism of,
109
–10

variations of
97
–102,
207
–8

Greatest Records,
124

Green, Delbert,
141

Griswold v. Connecticut
,
138

Grokster,
200
,
214

Gronow, Pekka,
95
,
180

Grossman, Jack,
130
,
132

Gucci,
191
–2

G-Unit,
169

Guns & Roses,
163

H.R.S. Society Rag
,
43
,
153
.
See also
HRS (Hot Record Society)

Hall, Griffin,
12
–3

Halstead, Fred,
107

Hamilton, Alexander,
136

Hamilton, Richard,
99
–100

Hammond, John,
41
–4,
57

Hancock, Herbie,
216

Hand, Learned,
46
–8,
54
,
81
,
123
,
176

Harding, Roger,
15
(fig.)

Harlan, John,
20

Harry Fox Agency,
55

Harry the Bastard,
153

Hart, Philip,
134
,
210

Harvard Law Review
,
32

Hawthorne Hot Shots, The
(Beach Boys),
153

Heilman, David,
142
,
148
,
176

Hell’s Honkies Tape Club,
158

Helms, Jesse,
194

Hendrix, Jimi,
8
,
97
,
103
,
114
–5,
157

Herbert v. Shanley
(1917),
44

Herbert, Victor,
20
,
23
,
25
,
29
,
44

Heylin, Clinton,
77
,
106
,
116
,

Hickman, Clarence,
67

high-fidelity,
7
,
41
–2,
72
,
74
,
77
,
81
–2,
87

High Fidelity
(magazine),
72
–3

Historic Jazz label,
59

Hobson, Wilder,
38
,
43
,
51

Hoefer, George,
41
,
56

Hoffman Avenue Records,
153

Holding, John B.,
16
–7

Holiday, Billie,
27
,
44

Hollywood,
121
,
136
,
173
,
185
,
194
,
202

Holmes, Oliver Wendell, Jr.,
21

Holscher, Louis,
152

Hopkins, Jerry,
98

Hornby, Nick,
151

Horses
(Patti Smith),
105

Hot Record Society,
38
,
42
–4,
50
–1,
53
,
60
,
65
,
70
,
74
–5,
86
,
96
,
153
,
173
,
176
,
209

Hot Wacks
,
153
–4

Hunting, Russell,
14
–8,
31

Hupert, Dan,
156

Huxley, Aldous,
106

“I Am the Walrus” (The Beatles),
107

IBM,
210

Ibuka, Masaru,
82
,
88

ideation,
65
–6

IFPI (International Federation of Phonograph Industries),
185
,
187
,
189
,
195

Igoe, Michael,
53
–4

IIPA (International Intellectual Property Alliance),
191
–2,
196

Immaculate Conception Records,
153

Independent Film and Television Alliance,
191

India,
183
,
185
–6,
190
,
192
,
194

intellectual property,
46
–8,
137
,
146
,
161
,
200
–6,
216
–7

and counterculture,
161
,
211

and idea of information economy,
88
,
210
–1

and international trade,
174
,
177
–8,
186
–95,
198

popularization of term,
7
,
191

International Anti-Counterfeiting Coalition,
192

International Federation of Phonogram and Videogram Producers,
189

International News Service v. Associated Press
(1919),
32
–3,
47
,
50
,
137

Internet,
4
,
7
,
11
,
86
,
162
,
171
,
200
,
212

Interpol (International Police Organization),
187
,
196

“Invisible Generation, The” (William Burroughs),
87
–8

iPod,
83
,
161

Irish, Albert,
29
–30

IRTA (Independent Record and Tape Association),
148

It’s a Beautiful Day,
99
(fig.)

iTunes,
1
,
11
,
86
,
161
,
209

Izod,
192

J. Cole,
1
–2

Jackson, Henry “Big Bank Hank,”
166

Jackson, Michael,
206

Jadakiss,
170

jam music,
7
,
156
,
161
,
173
.
See also
Grateful Dead

Jamieson, Mark,
160
,
168

Jay label,
50

jazz,
25
,
37
–45,
50
–65,
71
–2,
75
–6,
78
,
93
–4,
106
,
110
,
118
,
121
,
128
,
152
–3,
176
,
183
,
204
–5,
207
,
216

Jazz Hot
,
42
.
See also
Panassié, Hugues

Jazz Panorama label,
59
,
60
(fig.)

Jazz-time label,
50