Authors: Louise Glück
the great difficulties have never as yet
been faced and solvedâ
They cannot see themselves,
in fresh dirt, starting up
without perspective,
the hills behind them pale green, clouded with flowersâ
She wants to stop;
he wants to get to the end,
to stay with the thingâ
Look at her, touching his cheek
to make a truce, her fingers
cool with spring rain;
in thin grass, bursts of purple crocusâ
even here, even at the beginning of love,
her hand leaving his face makes
an image of departure
and they think
they are free to overlook
this sadness.
THE HAWTHORN TREE
Side by side, not
hand in hand: I watch you
walking in the summer gardenâthings
that can't move
learn to see; I do not need
to chase you through
the garden; human beings leave
signs of feeling
everywhere, flowers
scattered on the dirt path, all
white and gold, some
lifted a little by
the evening wind; I do not need
to follow where you are now,
deep in the poisonous field, to know
the cause of your flight, human
passion or rage: for what else
would you let drop
all you have gathered?
LOVE IN MOONLIGHT
Sometimes a man or woman forces his despair
on another person, which is called
baring the heart, alternatively, baring the soulâ
meaning for this moment they acquired soulsâ
outside, a summer evening, a whole world
thrown away on the moon: groups of silver forms
which might be buildings or trees, the narrow garden
where the cat hides, rolling on its back in the dust,
the rose, the coreopsis, and, in the dark, the gold
           dome of the capitol
converted to an alloy of moonlight, shape
without detail, the myth, the archetype, the soul
filled with fire that is moonlight really, taken
from another source, and briefly
shining as the moon shines: stone or not,
the moon is still that much of a living thing.
APRIL
No one's despair is like my despairâ
You have no place in this garden
thinking such things, producing
the tiresome outward signs; the man
pointedly weeding an entire forest,
the woman limping, refusing to change clothes
or wash her hair.
Do you suppose I care
if you speak to one another?
But I mean you to know
I expected better of two creatures
who were given minds: if not
that you would actually care for each other
at least that you would understand
grief is distributed
between you, among all your kind, for me
to know you, as deep blue
marks the wild scilla, white
the wood violet.
VIOLETS
Because in our world
something is always hidden,
small and white,
small and what you call
pure, we do not grieve
as you grieve, dear
suffering master; you
are no more lost
than we are, under
the hawthorn tree, the hawthorn holding
balanced trays of pearls: what
has brought you among us
who would teach you, though
you kneel and weep,
clasping your great hands,
in all your greatness knowing
nothing of the soul's nature,
which is never to die: poor sad god,
either you never have one
or you never lose one.
WITCHGRASS
Something
comes into the world unwelcome
calling disorder, disorderâ
If you hate me so much
don't bother to give me
a name: do you need
one more slur
in your language, another
way to blame
one tribe for everythingâ
as we both know,
if you worship
one god, you only need
one enemyâ
I'm not the enemy.
Only a ruse to ignore
what you see happening
right here in this bed,
a little paradigm
of failure. One of your precious flowers
dies here almost every day
and you can't rest until
you attack the cause, meaning
whatever is left, whatever
happens to be sturdier
than your personal passionâ
It was not meant
to last forever in the real world.
But why admit that, when you can go on
doing what you always do,
mourning and laying blame,
always the two together.
I don't need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And I'll be here when only the sun and moon
are left, and the sea, and the wide field.
I will constitute the field.
THE JACOB'S LADDER
Trapped in the earth,
wouldn't you too want to go
to heaven? I live
in a lady's garden. Forgive me, lady;
longing has taken my grace. I am
not what you wanted. But
as men and women seem
to desire each other, I too desire
knowledge of paradiseâand now
your grief, a naked stem
reaching the porch window.
And at the end, what? A small blue flower
like a star. Never
to leave the world! Is this
not what your tears mean?
MATINS
You want to know how I spend my time?
I walk the front lawn, pretending
to be weeding. You ought to know
I'm never weeding, on my knees, pulling
clumps of clover from the flower beds: in fact
I'm looking for courage, for some evidence
my life will change, though
it takes forever, checking
each clump for the symbolic
leaf, and soon the summer is ending, already
the leaves turning, always the sick trees
going first, the dying turning
brilliant yellow, while a few dark birds perform
their curfew of music. You want to see my hands?
As empty now as at the first note.
Or was the point always
to continue without a sign?
MATINS
What is my heart to you
that you must break it over and over
like a plantsman testing
his new species? Practice
on something else: how can I live
in colonies, as you prefer, if you impose
a quarantine of affliction, dividing me
from healthy members of
my own tribe: you do not do this
in the garden, segregate
the sick rose; you let it wave its sociable
infested leaves in
the faces of the other roses, and the tiny aphids
leap from plant to plant, proving yet again
I am the lowest of your creatures, following
the thriving aphid and the trailing roseâ Father,
as agent of my solitude, alleviate
at least my guilt; lift
the stigma of isolation, unless
it is your plan to make me
sound forever again, as I was
sound and whole in my mistaken childhood,
or if not then, under the light weight
of my mother's heart, or if not then,
in dream, first
being that would never die.
SONG
Like a protected heart,
the blood-red
flower of the wild rose begins
to open on the lowest branch,
supported by the netted
mass of a large shrub:
it blooms against the dark
which is the heart's constant
backdrop, while flowers
higher up have wilted or rotted;
to survive
adversity merely
deepens its color. But John
objects, he thinks
if this were not a poem but
an actual garden, then
the red rose would be
required to resemble
nothing else, neither
another flower nor
the shadowy heart, at
earth level pulsing
half maroon, half crimson.
FIELD FLOWERS
What are you saying? That you want
eternal life? Are your thoughts really
as compelling as all that? Certainly
you don't look at us, don't listen to us,
on your skin
stain of sun, dust
of yellow buttercups: I'm talking
to you, you staring through
bars of high grass shaking
your little rattleâ O
the soul! the soul! Is it enough
only to look inward? Contempt
for humanity is one thing, but why
disdain the expansive
field, your gaze rising over the clear heads
of the wild buttercups into what? Your poor
idea of heaven: absence
of change. Better than earth? How
would you know, who are neither
here nor there, standing in our midst?
THE RED POPPY
The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.
CLOVER
What is dispersed
among us, which you call
the sign of blessedness
although it is, like us,
a weed, a thing
to be rooted outâ
by what logic
do you hoard
a single tendril
of something you want
dead?
If there is any presence among us
so powerful, should it not
multiply, in service
of the adored garden?
You should be asking
these questions yourself,
not leaving them
to your victims. You should know
that when you swagger among us
I hear two voices speaking,
one your spirit, one
the acts of your hands.
MATINS
Not the sun merely but the earth
itself shines, white fire
leaping from the showy mountains
and the flat road
shimmering in early morning: is this
for us only, to induce
response, or are you
stirred also, helpless
to control yourself
in earth's presenceâI am ashamed
at what I thought you were,
distant from us, regarding us
as an experiment: it is
a bitter thing to be
the disposable animal,
a bitter thing. Dear friend,
dear trembling partner, what
surprises you most in what you feel,
earth's radiance or your own delight?
For me, always
the delight is the surprise.
HEAVEN AND EARTH
Where one finishes, the other begins.
On top, a band of blue; underneath,
a band of green and gold, green and deep rose.
John stands at the horizon: he wants
both at once, he wants
everything at once.
The extremes are easy. Only
the middle is a puzzle. Midsummerâ
everything is possible.
Meaning: never again will life end.
How can I leave my husband
standing in the garden
dreaming this sort of thing, holding
his rake, triumphantly
preparing to announce this discovery
as the fire of the summer sun
truly does stall
being entirely contained by
the burning maples
at the garden's border.
THE DOORWAY
I wanted to stay as I was,
still as the world is never still,
not in midsummer but the moment before
the first flower forms, the moment
nothing is as yet pastâ
not midsummer, the intoxicant,
but late spring, the grass not yet
high at the edge of the garden, the early tulips
beginning to openâ
like a child hovering in a doorway, watching the others,
the ones who go first,
a tense cluster of limbs, alert to
the failures of others, the public falterings
with a child's fierce confidence of imminent power
preparing to defeat
these weaknesses, to succumb
to nothing, the time directly
prior to flowering, the epoch of mastery
before the appearance of the gift,
before possession.
MIDSUMMER
How can I help you when you all want
different thingsâsunlight and shadow,
moist darkness, dry heatâ
Listen to yourselves, vying with one anotherâ
And you wonder
why I despair of you,
you think something could fuse you into a wholeâ
the still air of high summer
tangled with a thousand voices
each calling out
some need, some absolute
and in that name continually
strangling each other
in the open fieldâ
For what? For space and air?
The privilege of being
single in the eyes of heaven?
You were not intended
to be unique. You were
my embodiment, all diversity
not what you think you see
searching the bright sky over the field,
your incidental souls